“You can’t control Roseanne Barr,” Sherwood said in an interview with the New York Times in March when asked about his Twitter account. “Many who have tried have failed.”
But there were other sources of controversy.
The third episode of the revival featured a joke about two ABC comedies with different cast, “black-ish” and “Fresh Off the Boat”. The character of Mrs Barr and her husband Dan, played by John Goodman, wake up on the sofa in their living room, having fallen asleep in front of the television. “We missed all the shows about black and Asian families,” said Dan Conner. To the laughter of the studio audience, Roseanne Conner replied: “They are just like us. Here, now you are all involved.”
The joke sparked a scream but ABC defended the show. “It certainly wasn’t meant to offend,” said Ms. Dungey this month. “I am alongside the writers of” Roseanne “.”
Although “Roseanne” was successful, ABC’s relationship with the “black-ish” showrunner, Kenya Barris, deteriorated, in part due to the decision to make an episode of the show not long before it aired. Mr. Barris is in talks to leave his ABC contract and start working with Netflix.
“Roseanne” is likely to end the 2017-18 television season as show number 3, behind two NBC shows: “Sunday Night Football” and “This is Us”. More than 18 million people on average have seen “Roseanne” this season, according to Nielsen’s delayed viewing data.
Tuesday was the first day that producers and writers of “Roseanne” gathered on the show lot in Studio City, California, to begin work on the following season. According to executive producer Bruce Rasmussen, they were aware of Ms. Barr’s tweet when they arrived and “were horrified”. But they thought it might take a few days to decide the repercussions. Instead, in a matter of minutes from work, the group of just over a dozen people found that the show had been canceled as news circulated online.
“We were punched,” said Mr. Rasmussen. “It was really depressing that that stupid sentence he sent destroyed a lot of people’s jobs.”
Hours after ABC canceled her “Roseanne” reboot because of her racist tweet about a former senior adviser to President Barack Obama, Ms. Barr has returned to the platform and published over 100 times. He tweeted, retweeted, tweeted in response and, in many cases, deleted tweets from his account, @therealroseanne, active since March 2011 and with 774,000 followers.
Ms. Barr’s night barrage included apologetic remarks, injurious statements, personal attacks, affectionate messages to her supporters, and references aimed at obscure conspiracy theories that have long been a staple of her presence on social media. The tweet flow started hours after her declared, “Sorry. Now I’m leaving Twitter.”
After two tweets apologizing again to former presidential adviser Valerie Jarrett, Ms. Barr addressed her supporters directly at 12:03 pm Eastern time, telling them not to defend her, even though she thought it was “sweet. ” to try. Losing his show, he wrote, hasn’t been compared to being labeled racist for a single tweet. “That I regret even more,” he wrote.
An hour earlier, in a tweet that she later deleted, she apologized “to the hundreds of people, and to wonderful writers (all liberals) and talented actors who lost their jobs”.
Not long ago, she retweeted a post from the @LegendaryEnergy account, which has more than 15,000 followers, defending Mrs. Barr’s post that started the fire storm: a tweet comparing Mrs. Jarrett to the Muslim Brotherhood and the “Planet of the Apes”.
“I look like a monkey,” wrote @LegendaryEnergy. “Why? My DNA is 96% similar to that of a monkey. It makes scientific sense.”
At some point during the night, Ms. Barr blamed the Ambien insomnia drug for the incendiary tweet. In a post he later deleted, he wrote: “It was 2 in the morning and I was tweeting Ambien.” But that tweet also had a contrition note, saying the offensive post had gone too far. “It was excellent,” he wrote. “Indefensible. I made a mistake.”
In response to several people on Twitter, Ms. Barr said she did not know that Ms. Jarrett was African American. “I thought she was Saudi”, she She said to a supporter. For others, tweeted that he believed that Mrs Jarrett was “Jewish and Persian”.
At 12:37 pm, Ms. Barr replied to a tweet from the @therealcornett account, which falsely claimed that Channing Dungey, the president of ABC Entertainment, had consulted with “angry rage” Michelle Obama before deciding to cancel. ” Roseanne “.
He continued to retweet a clip an interview with 2012 Republican presidential candidate Herman Cain, originally published by Fox Business host Trish Regan. “I think they were looking for a reason to cancel Roseanne and that’s why,” said Cain in the clip. “Although the show was a hit on the charts, the forces within ABC didn’t like the fact that his conservative defense of certain things was so popular.”
She too retweeted a post by Jack Posobiec – a right-wing commentator who promoted the “Pizzagate” hoax – which included a photograph of comedian George Carlin with the caption, “This man wouldn’t last a day on Twitter”.
In another selfish retweet, Ms. Barr released the words of encouragement from right-wing British commentator Katie Hopkins, who lost her job last year at LBC radio station after tweeting that a “final solution” was needed to fight terrorism. “The more I am fired, the more busy I am,” wrote Ms. Hopkins. “You are headed for greatness.”
Ms. Barr also reacted to the cast members of “Roseanne”. In response to Michael Fishman, who played Ms. Barr’s son on the show and posted a statement condemning Ms. Barr’s tweet, she responded at 5 in the morning, “You throw me under the bus. Beautiful!”
But he also offered an apology to Mrs. Jarrett.
“@ValerieJarrett I want to apologize to you. I am very sorry to have hurt you. Hope you can accept these sincere apologies! ” she posted at 23:39
A few minutes later he wrote again to Mrs Jarrett, saying that his words had been numb and tasteless. “I’m really sorry,” he wrote. “My whole life has been on fighting racism. I made a terrible mistake. “
As dawn approached, Ms. Barr seemed ready to disconnect: “Thanks for all your kind comments, everyone! I love you all goodnight. “
But she returned to the platform shortly thereafter, with a stream of retweets including one of a post that attacked Ms. Jarrett – made from an account that claims to belong to a Georgia politician, but is a known fake.
Then there was his retweet of a statement of support from a true politician – one of his fans – President Trump.
“ABC’s Bob Iger called Valerie Jarrett to let her know that” ABC doesn’t tolerate comments like Roseanne Barr’s, “tweeted the president. “Gee, he never called President Donald J. Trump to apologize for the HORRIBLE statements made and said about me on ABC. Maybe I didn’t just get the call? “
Not long after the White House encouragement, Ms. Barr issued a more combative tone, posting a tweet on Wednesday at 2:54 pm which suggested she wasn’t going to leave the public sphere silent: “Guys, you make me feel like if I was reacting. I will carefully examine all my options. “
If Roseanne Barr is the daughter of the manifesto for anything, she is the daughter of the manifesto for cultural failure. Consider, for a moment, the cascade of failures that brought us today – a day when one of the most popular shows on television is canceled after its toxic star tweeted a racist insult from Valerie Jarrett.
First, ABC shouldn’t have brought her back. He was, of course, one of the most toxic and troubled personalities in American public life. This was a woman who, after all, trafficked in grotesque conspiracy theories, claimed that anyone who eats in Chick-fil-A “deserves to get the cancer that will surely come”, and contaminated the national anthem more deeply than a thousand soccer player kneeling. J. J. McCullough told the madman in an essay just last month:
Barr never met a conspiracy theory he didn’t like. It’s a real 9/11 trumpet that believes “Bush did it” and called the Boston Marathon attack one of the many “terrorist attacks with false flags” perpetrated by the Obama administration to “remove” the Second Amendment. . For good measure, he also believes that old Bush killed JFK.
You can find YouTube videos of his runaway “MK ULTRA Mind Control” on RT, and he seems particularly fond of the idea that the American ruling class is conducting a sort of pedophile sex cult. His views on Jews and Israel fluctuate wildly – in the past, he called Israel a “Nazi state” and claimed that Zionism was created by the Third Reich (or something like that – I challenge you to synthetically summarize the views expressed here), although more recently he accused Hillary Clinton of planning the destruction of Israel and labeling aide Huma Abedin as a “Nazi whore”.
But there was money to be made, so Roseanne limped from the locker room like a bizarre world Willis Reed. And this brings us to the next level of absurdity.
Second, Trump World shouldn’t have embraced its new show. Remember when President Trump called Roseanne to congratulate her on her assessments? I know Republicans are hungry for Republican-friendly television, but can we ever reach a time when the stakes are low enough to draw character-based lines? I know people voted for the low-character president because of the elections on Flight 93 and all the rest. I know people turned out to be Roy Moore because of the judges. But where is the emergence of the sitcom that requires love for Roseanne?
Third, hypocrisy and double standards abound. So where are the lines for acceptable speech? Even now, Twitter is lighting up with examples of progressive celebrities who say terrible things and keep their job. ESPN is expanding Keith Olbermann’s role on the net, despite a Twitter feed full of hysterical and secular insults and non-cold comments. Shoot a celebrity and you can rack up six more who posted their own deranged. At the same time, does the right really want to turn Roseanne into a child of political persecution? We all know that progressives get more grace than conservatives, but where does Roseanne fit?
We have a mess. To argue that companies should err on the side of free speech – as I always do – is not to argue that companies cannot have standards. I’m not worried about Roseanne’s termination. In a previous post, I approved a simple view of private work: do a good job and be a decent person. It is a neutral standard from the point of view that applies directly to the current situation. On the contrary, the standards seem almost infinitely malleable, even if the need for quality work depends on an adequate policy.
Sometimes, a story doesn’t perfectly fit anyone’s political narrative. Sometimes history is the confusion and rupture of our times. This is the story of Roseanne, populist, socialist, green party, conspiracy theorist who supports Trump who has now wasted what should be his last blow of relevance.
It is difficult to summarize Barr’s early childhood without making it look like a Lifetime film gone haywire: between 15 and 25 years old, she was injured in a car accident, she spent time in a psychiatric institution, she joined a common, she married and gave birth to four of her five children. While a housewife in Denver, Barr found her calling by doing stand-ups in a feminist bookstore and in comic venues. He refined a character as a “domestic goddess”, a cruel parody of maternal perfection. His rise from cartoonist to star in his hit series was swift and tumultuous.
“I was a stranger in a strange land,” Barr now says of his entry into the entertainment industry. “I was walking in this thing that had existed for centuries in Hollywood, you know – the machine to produce or create a weekly show – and I was so novice.”
The word “novice” makes it seem temporary and with fawn eyes; in fact, Barr was more like a raging bull raging on a Hollywood stage. Determined to get her gritty vision of a working-class family on the screen, she snatched control from the show’s runner, banished executives from the set, and regularly cleared the show’s writers’ room. An executive producer has placed an ad Daily variety announcing that instead of returning next season “my wife and I have decided to share a vacation in the relative peace and quiet of Beirut”.
“Looking back, I don’t even know how I lived there,” Barr says, sipping a cup of tea to soothe his throat, ravaged by a cold and a string of recent standing shows. (Most of his current tour stops were in Canada, but according to one review, his recent ride to Las Vegas attracted the MAGA crowd and Barr avoided looking after them.)
“I was young and hungry, and then I was really on fire. They are still on fire, “he says, suddenly leaning forward, opening his eyes wide.” They are still on fire! . . . I just have more self-confidence. So I’m not desperately on fire to blow everything up and start again. “
In a sense, Barr is start over. When I interviewed her in the fall of 2015 while looking for a story of female TV creators, she spent much of her time on her family’s Macadamia nut farm in Hawaii. Downward mobile, a 2012 pilot for a series that would reunite with John Goodman, had not been filmed and had little hope of returning to stardom in the early evening. (“Every time I go to Los Angeles, I talk to everyone,” he said abruptly at the time, “and then I go home.”)
This changed in March 2017 when Sara Gilbert (a.k.a. Darlene Conner, one of the great grumpy girls of all time) interviewed Goodman on The speech, the daytime show Gilbert is now host and executive producer. After expressing interest in a Roseanne meeting, Gilbert strung to Barr.
“He knew how to talk to me and he knows how to talk to people – producers and publicists – and all those things I’m not so good at,” admits Barr. Once Gilbert nailed the interest of ABC, the show’s original network, he agreed to produce and manage interference for his mother on TV.
“I really looked at Roseanne as a kid,” says Gilbert. “It was this larger-than-life, fun, intelligent and strong woman who clearly made her choices. And being young and emotional, it was nice to see a woman in power who wasn’t afraid. “
Although Roseanne the first time Emmy didn’t win anywhere close enough, the show boasted an extraordinary ensemble and some of the best writings on television. Determined to create new episodes that showcased the talents of her fellow actors, Barr says she sometimes called them from the writers’ room to try out the story ideas for them. “If they laughed, I would keep it.” Munching on an apple, he says, “For us they are more than just characters. They are like our alter egos.”
Ju Wenjun is the new female world champion. He drew with the reigning champion Tan Zhongyi in the final game of the Chongqing Women’s World Championship today to establish the final score at 5.5-4.5.
It was a tense final game in a tense game. Tan needed to win with the black pieces and chose a setup that you may never have played in a world championship before: the Hippopotamus!
But in his notes, Dejan Bojkov he reminded us of it Boris Spassky he used a similar configuration in his first game against Tigran Petrosian.
This time, Tan didn’t need to explain that he wanted to fight. However, the opening choice has just failed. Since opening, Ju has gained a great position advantage and could play for a win without risk. With move 24, Tan was eliminated.
The question of why Ju didn’t win this game is difficult to answer without talking to her. Was she nervous, or courtesy to her opponent, with whom she is a good friend? Perhaps it was the third, pragmatic reason: he was playing safely throughout the game and never risked half the point.
Ju remained in full control, swapped a few pieces, swapped a little more and then reached a fully designed bishop finale, which was enough to conquer the crown and become the 17th world women’s champion in history.
Unfortunately for her, there is a possibility that Ju will become the world champion of women who got her title for the shortest period. This game took place after the scheduled one, and the next world championship, a knockout tournament, is scheduled for November.
It is difficult not to feel sympathy for Hou Yifan, the tallest female chess player, including Chinese, who left the world championship cycle in May 2016 after expressing her disappointment with the cycle.
The jackpot for the game was € 200,000 ($ 239,210) with 60 percent going to the winner and 40 percent going to the loser.
NEWPORT – Two months after his death, the generosity for which actor and musician David Ogden Stiers was known in this community on the central Oregon coast continues.
Stier, 75, died of bladder cancer on March 3 at his Newport home. Famous national home character in this small coastal town, he was famous for his role as suffocating major Charles Emerson Winchester III in the TV series MIXTURE, for which he was nominated twice for an Emmy Award. He was also a theater actor, making his Broadway debut in 1973 in Chekhov’s productions The three sisters and like Peachum in The Threepenny Operaand a frequent voice for animated film characters, including Disney’s hit Lilo and Stitch and as Cogsworth, the imperious talking clock, in Disney The beauty and the Beast.
David Ogden Stiers (left) with Alan Alda in an 1980 episode of “M * A * S * H”. 20th Century Fox
Stiers did not simply live in Newport, he took an active part in the cultural life of the central coast and his last will and testament reveal some of the many ways in which his influence continues. Filed on April 17 at Lincoln County Circuit Court, it exposes in detail numerous donations to non-profit organizations. He left his CD and DVD collection at the Newport Public Library and his audio recordings collection (LP and 78), his wine collection, artwork and pen collection at the Newport Symphony Orchestra, which he often directed. He also gave $ 50,000 each to the Southern Poverty Law Center; My Sisters’ Place; Samaritan House, Inc.; the Oregon Coast Council for the Arts; and the Lincoln County Children’s Advocacy Center, plus $ 50,000 from the University of Maryland, Eastern Shore to establish a scholarship program for people planning a career in politics.
Stiers also made numerous gifts of money and property to people in the Oregon coastal community, including his Tesla Model X to the musical director of the Newport Symphony Orchestra Adam Flatt. In a note published on the Symphony web page, Flatt wrote: “All of us at NSO have a broken heart. David Ogden Stiers was a generous, loving and inspiring friend and a pillar of our orchestra and, indeed, of all of us. individually. Our orchestra would not be here if it were not for its great support and inspiration for over thirty years. Its depth of musical feeling, the love for our musicians and the charisma have made his performances soar when he was on the our podium. We will all work to keep David’s spirit alive in all our performances. “
David Ogden Stiers, symphonic conductor. Photo courtesy of the Newport Symphony Orchestra
John Lavrakas, the orchestra’s executive director, recalled that Stiers had attended Juilliard to become an actor, but skipped lessons with John Houseman, who later joined the prestigious City Center Acting, instead slipping next to where John Williams taught acting.
In the Battle of Batons high school student program, Stiers taught teens to be on stage, how to conduct and how to read music. The event culminated with students competing on stage to win the Grand Baton Winner title. “It was the Battle of Batons, not the Battle of the Batons, “Lavrakas said.” He corrected me several times on this. He financed those; he paid for all of them. All our money would go to youth programs or whatever. You can’t replace someone like that. The best you can hope is the spirit he represented. “
Ted Smith, director of the Newport Public Library, first met Stiers when he came to the library and asked Smith to accompany him to his car where he had a trunk of CDs, some new, which he had donated to the library. “He gave more than he took,” said Smith. “He was a quiet user of the library.”
Stiers was born in Peoria, Illinois. His family moved to Eugene in the late 1950s and moved to the coast in the 1980s. In an interview for The OregonianoStiers told me that he had always planned to make the area his primary residence and chose Newport in part because of the Newport Performing Arts Center, still in its infancy. He remembered his introduction there. “I went in to say goodbye and,” I don’t know what to do … I love performing. Here I am. If you need something let me know.'”
The conversation led Stiers to the symphony, but he also directed theater performances and started the festive reading tradition A Christmas carol to the PAC. The admission was by donation and all proceeds went to various non-profit organizations. “The best type of donation is to give to people you don’t know,” said Stiers. “You are doing something beneficial and constant for people you will never meet. You worry about everyone who lives here, whether you know them or not, and find ways to help you in the ways you can. “
Two commemorative concerts were held in March in honor of Stiers. The NSO has also commissioned a piece by the composer of the San Francisco Bay area Mark Fish, whose work includes Ferdinand the Bull. Stier narrated Ferdinand in concert and also worked with Fish on other projects, Lavrakas said: “He will do a job in honor of David and will be previewed in the May 2019 concert. I think it is beautiful.”
David Ogden Stiers reportedly wanted to help people in the real world as much as his character, Major Charles Winchester, wanted to help people MIXTURE*.
Late MIXTURE* Stella, who died at the age of 75 in March after a battle against bladder cancer, left her luck and other properties to charity, according to her will, which was obtained by TMZ.
Its hundreds of thousands of dollars have been left to be split between several charities, with Stiers having allocated $ 50,000 each for five different organizations, including the Southern Poverty Law Center, My Sister’s Place and Newport’s Children’s Advocacy Center. An additional $ 50,000 will reportedly go to the Eastern Shore University of Maryland to establish a scholarship program for someone planning a political career.
In addition to allocating his fortune to charity, Stiers also wrote in his will that his CDs and DVDs will be donated to the Newport Library, while his vinyls, his works of art and his wine collection will be delivered to Newport. Symphony Orchestra. His Tesla Model X was reportedly left to the musical director of Newport Symphony and his Oregon home was left to Jeremy Robinson, the man named as his conservator.
Stiers, who was best known for playing major surgeon Charles Winchester MIXTURE*, died at his Newport, Oregon home on March 3, 2018.
His acting career began in 1971 with an appearance on Jack Nicholson Drive, he said and as a presenter in George Lucas THX-1138.
After several roles in movies and TV shows, he found his revolutionary role as on MIXTURE*, starting in 1977. He starred in over 130 episodes until 1983 and earned two Emmy nominations. He also received an Emmy nomination for the 1984 TV movie The first Olympics: Athens 1896.
Although Stiers continued to work in front of the camera, his booming voice soon became familiar to children all over the world who grew up in Disney movies of the 90s. He served as narrator and voiced Cogsworth in the 1991 Disney film The beauty and the Beast, then voiced both the villain Radcliffe and Wiggins in the 1995 years Pocahontas.
He continued to voice the archdeacon The hunchback of Notre Dame (1996), Mr. Jolly in the TV series Pet of the teacher, Jumba in Lilo and Stitch (2002) and narrated Winnie the Pooh: Springtime with Roo (2004).
With entire generations of fans who knew and loved Stiers for his work, his death had a chain effect on social media, with fans moving to Twitter to mourn his death and celebrate his acting career successful and lasting.
The man best known for playing senior surgeon Charles Winchester in “MIXTURE“he also wanted to help people in the real world … or so it seems, based on his will.
David Ogden Stiers – who died in March after a battle against bladder cancer – left hundreds of thousands of his fortune to various charities … and also donated valuable collections to his local library and symphony orchestra in Newport, Oregon.
According to the documents … Stiers has set aside $ 50,000 each for 5 different charities, including the Southern Poverty Law Center, My Sister’s Place and Newport’s Children’s Advocacy Center.
He also left all his CDs and DVDs at the Newport Library, donating his vinyls, artwork and wine collection to the Newport Symphony Orchestra … and donated another $ 50,000 to the University of Maryland Eastern Shore to establish a scholarship program for someone planning a political career.
As for some of Stier’s more flashy gifts … Newport Symphony’s musical director gets his Tesla Model X, and his Oregon home is left to the man he called his conservative – Jeremy Robinson.
Met Gala on Monday evening, with the theme “Heavenly bodies: Catholic fashion and imagination”, brought several crosses, at least one crown and – for some reason that was not covered in Catholic school – more than a few tears on the face. Frances McDormand he wore none of these things. Frances McDormand carried a bunch of leaves around her head. Why? Because she is twice an Oscar winner, that’s why.
As he arrived on the red carpet, it was difficult to say who he was because of all this. . . leaves? -Flowers? Sprouts? Flora not earthly? He was standing next Pierpaolo Piccioli, Valentino’s creative director and Oscar-winning colleague Anne Hathaway he was on the other side, and once the photographers saw through the brush, they started screaming his name seriously.
Is it Catholic in itself? Not obviously. More like, Harry Potter met Hunger games met a catwalk in one of those worlds. Must he be Catholic? Not for Frances McDormand, two-time Oscar winner, who won her last statue, it should be noted, for a film that included a scene of her curse against a Catholic priest.
The most literally Catholic looks at the Met Gala 2018
TDuring the Second World War, the Oscar winner Frances McDormand has just exhibited the performance of her life, on the Met Gala 2018 red carpet of all places.
While McDormand walked on the red carpet with a personalized Valentino dress alongside Barbie actor Anne Hathaway and Valentino Piccioli Pierpaolo, the Three billboards outside Ebbing, Missouri Stella has hammered it to the maximum extent possible. Sasha out and about in a teal, rough cape, superimposed over a kind of chartreuse-colored trousers, her dress was already an important moment of the Met Gala – until her blackout headdress on her face set her gaze above.
This was an aesthetic departure for the actor, who generally attaches himself to these affairs with a black suit.
McDormand captured the theme of the Catholic imagination? Questionable. Did he offer people a door for his soul? No, not from most angles. But when the poses are so good, it doesn’t matter.
Reduce the tequila, fight for the knights of inclusion and wear this masterpiece: this is the life of Frances McDormand.
Get the brief. Sign up to receive the most important stories you need to know right now.
For your safety, we have sent a confirmation email to the address you entered. Click on the link to confirm your subscription and start receiving our newsletters. If you don’t receive confirmation within 10 minutes, check the spam folder.
Write to Ashley Hoffman at Ashley.Hoffman@time.com.