“Pinocchio” at the Berlinale: On the wooden path

AOutside competition at the Berlinale, Matteo Garrone’s “Pinocchio”, which felt like the 100th film adaptation of one of the most powerful texts of modern Italy, was written shortly after unification in the second half of the 19th century. It is as if the Germans are filming the “Faust” again, with Jens Harzer in the title […]