Confined families: “I can no longer play dinner” – Liberation

Confined families: “I can no longer play dinner” Liberation.

Historian Jacques Le Brun joins his mystics

Jacques Le Brun, who died on Monday April 6 of Covid-19, was one of these discreet scholars but whose work, devoted to spiritual and mystical literature of the XVIIe century, imposed a deep mark on a whole field of knowledge. Born in Paris in 1931, he had followed a classic course (preparatory classes for Henri IV, aggregation of letters, teaching in high school) before joining the section of religious sciences of the Ecole Pratique des Hautes Etudes (EPHE) where he supported his diploma – “Bossuet et les psaumes” – in 1956. Followed a thesis at the Sorbonne, under the supervision of René Pintard, on Bossuet Spirituality.

At the University of Poitiers, then at the EPHE where he occupied from 1978 to 2000 the chair of history of modern Catholicism, he devoted his research to Bossuet, Fénelon (which he published in La Pléiade), to spiritual biographies women and forgotten mystics like Angelus Silesius. Member of the Sigmund Freud School of Psychoanalysis, he sought to register some of his works – on “pure Love”, forfeiture and abdication in a long story going from Plato to Lacan.

Tireless worker, prolix author (ten personal works, as many editions of texts), Jacques Le Brun had published his latest book, God, a pure nothing, Angelus Silesius, poetry, metaphysics and mysticism at the Threshold in 2019 and worked until these last weeks on a manuscript entitled “Jesus Christ in the XVIIe century ”.


Dominique Kalifa

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“Masked and gloved men took out the coffin from the hearse” – Liberation

“Masked and gloved men took the coffin out of the hearse” Liberation.

Discover Libé Culture, the new “Liberation” newsletter

The most important thing in life, said David Lynch somewhere, is that you no longer really know the difference between inside and outside. Here we are. And to refine this existential experience that allows you to go very far in your head without ever moving from home, the Culture service of Release today launches a daily newsletter – to sign up now, it’s here and to judge the first piece number, it’s here.

Every early evening, Monday to Friday, at the time of an afterwork in pajamas or at the end of several hours of procrastination around a blank sheet for a final novel or a to-do list overloaded, we give you this appointment here, in your mailboxes, for the time of confinement and beyond. Designed, let’s be completely transparent, while a spring was looming with an abundance of films, exhibitions or shows, this proposal propels its first number in an environment with cultural news certainly internalized by force but no less rich, and no doubt more necessary than ever.

In-house recommendations, analysis ticket for a fact of the day or a basic trend, neo-Proustian questionnaire to an artist you like, musical playlists inspired by the news, games and archives henceforth will be included in an enlarged editorial offer in addition to the articles on our Daily Culture pages and the Pictures, Books and Music books of the weekend, which obviously remain unchanged.


CULTURE SERVICE

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At the Berlinale, pearls of plenty

Now that the prize list has fallen, the time has come for a final review of this successful 70e Berlinale, to evoke a few films that have been able to float in the memory of the festival critic exhausted by an overflow of images, German coffee and stuffy pretzels.

Mental space

Siberia by Abel Ferrara

ITA, DEU, MEX 2020, Competition
2020 Vivo film. Maze pictures. Piano

Siberia of Abel Ferrara. Vivo film. Maze pictures. Piano

Let’s start with an aberration, which we cannot say whether we like it or not, one of the most awaited films of the competition which created an almost general perplexity: Siberia by Abel Ferrara. It is a series of enigmatic visions and encounters experienced by an American, Clint (Willem Dafoe), running a bar in the middle of Siberia. Memories, dreams, nightmarish or mystical apparitions are linked together in this trip where we guess the clear influence of Andrei Tarkovski. Many critics found the film grotesque, and most of the spectators in the very large room of the Friedrichstadt-Palast, where we saw it, had apparently chosen to consider that they were facing a comedy. We do not hide the fact that certain situations or ideas made us smile and that it is quite difficult to genuinely adhere to this mystical-psychoanalytic peregrination in which Ferrara immerses us in the obscure depths of his imagination. But, in addition to the fact that the film arouses in us the sympathy of unclassifiable and netless objects, it is undeniable that the one who produced it is a real filmmaker, who knows how to create singular images, invent a complex mental space or seize us by a simple connection between two planes. And in a festival where there are so many films in one day, sometimes of great platitude or shapeless blistering, this Siberia so mocked at least had the audacity to explore in its own way nothing less than the twists and turns of cinematic time and space, through those of dream and memory.

Malmkrog by Cristi Puiu

ROU, SRB, CHE, SWE, BIH, MKD 2020, Encounters

Malmkrog by Cristi Puiu. Mandragora

It is in a completely different way that we recognize a strong sense of duration and framework in the long, complex and sometimes sumptuous shots that constitute Malmkrog (presented in the Encounters section), the new film by Romanian filmmaker Cristi Puiu (discovered in 2005 with the extraordinary the Death of Dante Lazarescu). Shots that are not just the result of a skill in framing and photographing, but that are constantly tended by life and the words that unfold therein. Adapting texts from the Russian philosopher and poet Vladimir Soloviev, this 3:20 am film takes place in a unique place: a mansion in Transylvania where Nikolai, a large landowner, welcomes Christmas friends of aristocrat friends, of different nationalities. Between meals and board games, their main activity consists in sharing their visions of the world, essentially in French, around subjects as big as death, progress, religion, morals. We think of Manoel de Oliveira, with less humor although the film is not devoid of fantasy and strangeness. You can get lost in conversations but it is the very word that matters, the need to keep talking, to think out loud even if it turns out to be increasingly complex and perilous.

Rizi | Days by Tsai Ming-Liang

TWN 2019, Competition
Homegreen Films

Days from Tsai Ming-liang. Homegreen Films

Days by Tsai Ming-liang (in competition) marks the return to fiction after seven years of absence (since stray dogs, in 2013) from another great filmmaker of the plan, of their slow deployment over time. He is equal to himself in his new film where, far from Puiu’s talks, almost no words are spoken. Again, he becomes attached to solitudes that will eventually intersect. In the countryside, a man (Lee Kang-sheng, the filmmaker’s favorite actor since his first film) with tired and slow gestures, seems to be bored and suffering physically, requiring baths, massages and acupuncture sessions; in the city, a younger man, on the contrary, is distinguished by the dexterity of his gestures, especially when he is washing food and cooking it. In the montage that shows them evolving in parallel, elements visible in almost every plane already unite them: water, fire, plants, present in many forms. The film is tied to the meeting of the two men where, for the time of a sensual and then sexual massage, the skillful hands of the first relieve the tired body of the second, until enjoyment. It is very clear and very beautiful, no offense to the impatient.

Applause

Domangchin yeoja | The Woman Who Ran | Die Frau, die rannte by Hong Sangsoo

The Woman Who Ran from Hong Sang-soo. Jeonwonsa Film Co. Production

In Hong Sang-soo, the precision and rigor of the plans is not as obvious as in Puiu or Tsai. The Korean filmmaker, who claims Rohmer’s influence, again appears in The Woman Who Ran (presented in competition) a lightness and a simplicity that the frames, panoramas or zooms scrutinize with acuity but without will to artificially embellish their obviousness. A young woman (the magnificent filmmaker’s muse Kim Minhee) takes advantage of her husband’s business trip to visit three former friends. Through their conversations mixing very concrete and material subjects – the price of things, neighborhood problems, food, vegetarianism -, Hong deals in his own way with very contemporary questions, with a humor that gradually turns to melancholy . Ultimately, this film in which the few men who appear are troublesome and essentially filmed from behind, evokes a certain female solitude, chosen or suffered. To cold surveillance camera shots, Hong sets his gaze on the lookout, available to prodigious chances, such as this camera movement which reveals a perfectly placed and attentive cat at the end of a long shot where the stake of the conversation was precisely the presence of cats in the vicinity. A plan so miraculous that it sparked applause in an entire room of criticism in Berlin.

In the recesses of the parallel selections, a few films with modest means made, like Hong Sang-soo, of their economic poverty an engine of freshness and vitality. In Boarding (Panorama section), the new film by Guillaume Brac, declared admirer of the Korean filmmaker, we follow the summer getaway of two friends going to find in the Drôme the conquest of an evening of one of them. As in July tales (2018), Brac turns again with young actors from the National Conservatory of Dramatic Art, rediscovering something of the adventurous spirit of Jacques Rozier’s films but by matching it to the languages, cultures and customs of a very contemporary youth . As always with Brac, under his apparent humility the film is precise and dense, in addition to being funny and extremely endearing.

Magnifying glass

In Isabella (presented to Encounters), the Argentinian Matías Piñeiro films another friendly adventure, but coupled with an ambiguous rivalry. Two young theater actresses apply for the same role, that of Isabella in Measure for measure of William Shakespeare, while the brother of one is the lover of the other. It is a film about envy, in the double sense of the word – desire and jealousy – where the Rivetian play with the theater is made more complex (something new in Piñeiro) by a play with chronology and a formalism which sometimes leads to on an abstraction of colors and shapes. A captivating and confusing film that will perhaps be enjoyed above all by those who already know Piñeiro’s cinema, all the elements of which (theater, friendship, acting, speech) are here reorganized in a more free and mysterious way.

Finally, one of the great discoveries of the festival was A metamorfose dos pássaros, the first feature by Portuguese catarina Vasconcelos (presented at Encounters), shot for less than 100,000 euros. It is a biography of the filmmaker’s own family, of his grandparents and parents, reconstituted in beautiful fine-line shots essentially framing gestures, objects, photographs, and playing on materials, colors, simple visual effects (the recurrent use of a magnifying glass, for example) while voiceovers follow one another to evoke moments in the life of each. Imagine a Cavalier film filmed by Manoel de Oliveira (still him) to get an idea of ​​the beauty and originality of this minimalist and poetic family novel. The kind of unexpected little pearls that we always hope to find in this clutter of films that is a film festival as bloated as the Berlinale.


Marcos Uzal

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The autist | L’Express

February 13, 2020 7:04 PM | through

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Are parenting and mental disorders mutually exclusive concepts?

A training organized by the COPES organization provoked anger and a feeling of injustice. The title of this training ” Parenthood – Children and the mental illness of their parent (s) “And its program suggests that a person with a mental disorder could not fulfill a parenting role …

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January 08, 2020 6:06 PM | through

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Autism - Black and green lists of training courses 2020


8 years after its first version, here is the updated blacklist of autism training and seminars for 2020.
We thank Autism France to have contributed to this update and to disseminate it.
This year, we are offering you a blacklist, not in accordance with HAS recommendations, …

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January 04, 2020 6:08 PM | through

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Autism: the truth about Bruno Bettelheim

Sophie Robert is the director of the film ” The wall: psychoanalysis tested by autism ”, Broadcast in 2011. In this documentary, 11 psychoanalytic-oriented health professionals explain their conviction of the causes of autism and the perspectives offered by psychoanalytic management of this syndrome.
This documentary caused a release among families, …

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Video portraits of employees with autism, under the patronage of National Education



Sophie Robert, director of various documentaries on autism, just broadcast the documentary series Atypical employees: welcome to the world of work : 3 endearing portraits of people with autism who raise awareness of the difficulties they face in everyday life and the adaptations of the company ….

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December 22, 2019 5:11 PM | through

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Psychoanalysis: dirty time for charlatans

Reaction of Sophie Robert in response to a letter from psychoanalysts addressed to the president of the LREM group at A.N. as well as the presidents of the other parliamentary groups.
In this letter, psychoanalysts rebel against Ms. Wonner, MP for LREM (also a psychiatrist), who they criticize for having signed a column by Sophie Robert calling for the exclusion of psychoanalysis from universities and the courts …

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November 25, 2019 6:21 PM | through

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Mom is autistic, and she is tearing up! to be a woman, mother and autistic in everyday life.


Book reading report ”
Mom is autistic and she is tearing up! By Sandrine Gaouenn by Géraldine, autistic woman.
Sandrine Gaouenn, 45, is the mother of four children. After a chaotic journey, …

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November 05, 2019 5:43 PM | through

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Survival guide for a non-autistic person living with an autistic person


Tired of your autistic partner? Read this guide!
This survival guide, produced by autistic people and their non-autistic partner, aims to facilitate couple relationships between autistic people and non autistic people.
Because let’s face it, we are not programmed in the same way ….

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October 23, 2019 10:40 AM | through

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Why psychoanalysts should be excluded from the courts


Sophie Robert (director of the documentary ” The Phallus and the Void“) Calls, via a grandstand published in Le Nouvel Obs, excluding the psychoanalytic approach to forensic expertise and university teaching.
Text, signed by more than 60 health professionals in the field of psychology and psychiatry
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October 09, 2019 6:00 p.m. | through

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An infographic on autistic women: main specificities
Through Phantom in Autime and genre
Presentation video: manifestations of autism in women (trend)

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July 25, 2019 4:01 p.m. | through

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Beware of Greta! AFFA reaction to Michel Onfray's article


By Alice Afanasenko, Doctor of Literature, Teacher and Autistic Researcher, Member of theFrancophone Association of Autistic Women.
Whether you are an environmental activist, a climatosceptic or indifferent to all of this, on vacation, at work, under the heat wave or not (but it is difficult to escape this year), …

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July 17, 2019 5:38 PM | through

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Moana is ten years old. Her autism spectrum disorder (ASD) was diagnosed in June 2018 at age 9 and a half.
Seeing that she was different, her mother constantly sought an explanation since her birth: a lot of crying, sleep disturbances, need for permanent movement, intolerance to noise … Rigid food, tiptoeing, …

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May 22, 2019 10:40 AM | through

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The “school of trust” law includes selection criteria for students with disabilities


The law Project for a school of trust was adopted in the senate on May 21: now, as part of the “strengthening of the inclusive school”, this project includes a criterion so that a disabled student has the right to schooling in an ordinary environment .

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May 18, 2019 6:00 p.m. | through

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Shaken baby syndrome: loopholes in forensic expertise?


Abusive placements do not only concern disabled children: more than 250 parents declare that they have been wrongly accused of having shaken their baby and are being prosecuted while their child is placed in the ESA (see the article ” Shaken Baby Syndrome Diagnoses War Of Experts Published in Le Monde on January 07, 2019) ….

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