The 1980s are having a moment – again. But this time, the resurgence isn’t just about fashion or film. A wave of nostalgia is sweeping through television soundtracks, with showrunners and music supervisors increasingly turning to iconic ‘80s tracks to score their series. This trend isn’t simply about sonic aesthetics; it’s a calculated move to tap into powerful emotional connections for audiences who lived through the decade, and to introduce a vibrant soundscape to those who didn’t.
Beyond the Synth: Why the ‘80s Sound is Back
The appeal is multifaceted. The ‘80s produced a remarkably diverse range of pop music, from the synth-driven recent wave of bands like Depeche Mode, The Human League, and Orchestral Manoeuvres in the Dark, to the polished pop of Wham! and the more experimental sounds of Thomas Dolby. This sonic palette offers a breadth of options for filmmakers looking to evoke specific moods and atmospheres. But the nostalgia factor is arguably the biggest driver. For viewers of a certain age, these songs aren’t just music; they’re time capsules, instantly transporting them back to formative experiences.
The trend extends beyond simply licensing existing hits. Remakes and remixes of ‘80s themes are also gaining traction. YouTube playlists, like the one featuring remakes of themes from *The A-Team* and *Knight Rider*, showcase a dedicated community actively reimagining these classics for a modern audience. This suggests a desire not just to *hear* the ‘80s, but to actively engage with and reinterpret its musical legacy.
From Spotify Playlists to Screen Scores
Several platforms are capitalizing on this renewed interest. Spotify offers albums dedicated to ‘80s TV themes, like “’80s TV Themes” by The TV Theme Players (2011, 55 songs) and “80s TV Themes” by Various Artists (2010, 36 songs). Apple Music also features similar compilations. YouTube is a hub for both original ‘80s tracks and contemporary remixes, with videos like “15 Great ’80s TV Theme Songs You Forgot You Loved” garnering views. This accessibility fuels the ongoing appreciation and discovery of these songs.
The use of ‘80s music in television isn’t a new phenomenon, but the current wave feels different. It’s less about ironic detachment and more about genuine affection and a desire to create a shared emotional experience. As television continues to compete for audience attention, tapping into these powerful nostalgic currents may prove to be a winning strategy.
Will this trend continue to build, or will television soundtracks eventually move on to the next decade of nostalgia?
