‘People keep reinventing the same damn movie’: cinematographer Roger Deakins on 50 years behind the camera and his fears for film’s future | Movies

by Chief Editor

The Fading Art of Cinematic Vision: Roger Deakins and the Future of Filmmaking

Roger Deakins, the celebrated cinematographer whose work has graced films like No Country for Old Men and Blade Runner 2049, recently voiced concerns about the direction of the film industry. His anxieties, detailed in a recent Guardian interview and his new book, Reflections: On Cinematography, resonate with a growing unease about the potential loss of artistry in an increasingly technology-driven landscape.

The Rise of the “Flat” Image and the Decline of Craft

Deakins and his wife, James Ellis Deakins, highlight a trend towards technically proficient but visually uninspired cinematography. The ease of digital manipulation, they argue, is leading to a decline in the fundamental skills of lighting and composition. As noted in the Guardian article, producers are increasingly opting for minimal lighting setups, relying on post-production fixes rather than crafting a compelling visual aesthetic on set. This echoes criticisms leveled in a recent N+One essay about the “terrible lighting” prevalent in many Netflix films.

AI and the Virtual Production Revolution: A Double-Edged Sword

The advent of artificial intelligence and virtual production techniques presents both opportunities and threats. Although technologies like LED volumes offer new creative possibilities, Deakins expresses reservations about spending extended periods working in virtual environments. He champions the collaborative, real-world experience of location shooting and the nuanced problem-solving that comes with it. The concern isn’t necessarily the technology itself, but the potential for it to supplant the artistry and human connection at the heart of filmmaking.

The Impact of Streaming and Franchise Films

The shift towards streaming services and the dominance of franchise films are also contributing factors. The demand for constant content and the focus on spectacle often prioritize efficiency over artistic vision. As Deakins points out, the industry is increasingly focused on “event” movies, leaving less room for character-driven stories that rely on subtle visual storytelling. This trend is impacting the types of films being made and the opportunities for cinematographers to showcase their craft.

A Return to Fundamentals: The Importance of Collaboration and Intentionality

Despite these challenges, Deakins remains a staunch advocate for intentionality and collaboration. He emphasizes the importance of working with directors who have a clear vision and a willingness to invest in the visual aspects of the film. His long-standing partnership with the Coen brothers, highlighted in a Filmmaker Magazine article, exemplifies this approach. He also stresses the value of operating the camera himself, allowing for greater control and a more direct connection to the image.

Pro Tip:

Don’t underestimate the power of simplicity. Deakins’ work often relies on subtle lighting and composition to create a powerful emotional impact. Focus on mastering the fundamentals before experimenting with complex techniques.

The Legacy of a Master: Preserving the Art of Cinematography

Deakins’s commitment to preserving the art of cinematography extends beyond his own work. Through his website, podcast, and new book, he is actively sharing his knowledge and experience with aspiring filmmakers. This dedication to mentorship and education is crucial for ensuring that the next generation of cinematographers understands the importance of craft, collaboration, and artistic vision.

FAQ: The Future of Cinematography

  • Is cinematography becoming obsolete? No, but the role is evolving. The focus is shifting from technical execution to artistic vision and storytelling.
  • What impact will AI have on cinematography? AI tools could automate certain tasks, but they are unlikely to replace the creativity and judgment of a skilled cinematographer.
  • Are film schools still relevant? Yes, but it’s important to supplement formal education with practical experience and mentorship.
  • What can aspiring cinematographers do to stand out? Develop a strong visual style, master the fundamentals of lighting and composition, and build strong collaborative relationships.

Did you know?

Roger Deakins initially pursued a career in still photography, inspired by photographers like Don McCullin, before transitioning to cinematography.

Explore more about Roger Deakins’s work and insights on his official website. Share your thoughts on the future of filmmaking in the comments below!

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