Richard Eyre at 82: A Life in Theatre, Love, and Facing Mortality
Renowned theatre director Richard Eyre, 82, currently captivating audiences with his adaptation of August Strindberg’s Dance of Death at the Orange Tree Theatre, offers a poignant glimpse into a life dedicated to the arts, marked by both professional triumphs and deeply personal challenges. A recent interview reveals a candid reflection on his career, relationships, and the anxieties that accompany aging and loss.
The Enduring Power of Theatre and Artistic Legacy
Eyre’s illustrious career spans decades, culminating in a significant period as artistic director of the National Theatre from 1987 to 1999. His work continues to resonate, influencing contemporary playwrights and productions. He notes a longing for the return of Shakespeare, highlighting the timeless relevance of classic literature. His current production, Dance of Death, starring Lisa Dillon, Will Keen, and Geoffrey Streatfeild, has garnered critical acclaim, demonstrating his continued ability to breathe latest life into challenging works. The play, running until March 7th, 2026, explores the complexities of a long-term marriage with a darkly comedic edge.
Love, Loss, and the Weight of Time
The interview reveals a deeply personal side to Eyre, particularly concerning his wife, Sue Birtwistle, a former producer, who is living with Alzheimer’s. Her illness is a source of profound unhappiness and anxiety, a stark reminder of the fragility of life and the enduring power of love. He describes love as “warmth and confidence,” a sentiment underscored by the pain of witnessing his wife’s decline. This experience has clearly shaped his perspective, leading him to reflect on the importance of endurance as a key life lesson.
Facing Fears and Embracing Imperfection
Eyre doesn’t shy away from acknowledging his fears, identifying failure as his greatest. He admits to impatience and a tendency to swear, revealing a refreshingly honest self-awareness. He grapples with the physical changes of aging, lamenting the discrepancy between his perceived self and his reflection. A particularly embarrassing anecdote recounts a near-disaster during a masterclass, highlighting the vulnerability inherent in public performance.
The Search for Meaning and the Acceptance of Silence
Throughout his life, Eyre has wrestled with questions of social justice and the human condition. He expresses disappointment that the progress he envisioned in the 1960s has not materialized to the extent he hoped. His response to the question of what happens after death – “The rest is silence” – suggests a pragmatic acceptance of the unknown. He acknowledges a past strained relationship with his father, expressing regret for not being more gracious when receiving an apology on his father’s deathbed.
A Legacy of Curiosity and Droll Observation
Describing himself as curious, energetic, and droll, Eyre embodies a spirit of intellectual engagement and wry observation. He recalls a particularly harsh critique from playwright Edward Bond, who likened him to “a turd flowing on the effluent of British culture,” demonstrating a willingness to confront even the most scathing criticism. His ability to uncover humor in the face of adversity, and to reflect on life’s complexities with honesty and vulnerability, makes him a compelling figure.
FAQ
What is Richard Eyre currently directing?
He is currently directing August Strindberg’s Dance of Death at the Orange Tree Theatre in Richmond.
Who stars in Dance of Death?
Lisa Dillon, Will Keen, and Geoffrey Streatfeild star in Dance of Death.
What was Richard Eyre’s role at the National Theatre?
He was the artistic director of the National Theatre from 1987 to 1999.
What is Eyre’s wife’s condition?
His wife, Sue Birtwistle, has Alzheimer’s.
What does Eyre identify as his greatest fear?
He identifies failure as his greatest fear.
Pro Tip: Explore the Orange Tree Theatre’s website for performance schedules and ticket information for Dance of Death. Orange Tree Theatre – Dance of Death
Did you realize? Richard Eyre’s films include Iris, Notes on a Scandal, and The Dresser.
Share your thoughts on Richard Eyre’s work and the themes explored in this article in the comments below!
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