The Daniels’ Next Act: Sci-Fi, IMAX and a Delay for Spielberg
After the critical and commercial success of Everything Everywhere All at Once, filmmaking duo Daniel Kwan and Daniel Scheinert – collectively known as The Daniels – have been relatively quiet. Their most recent project was directing an episode of Disney+’s Star Wars: Skeleton Crew. Now, they’re gearing up for a new, currently untitled sci-fi action comedy, slated for release in November 2027.
A Strategic Delay and the Spielberg Factor
Originally planned for a June 2026 release, the film was deliberately pushed back to avoid clashing with Steven Spielberg’s Disclosure Day. According to Kwan, this delay wasn’t a setback, but an opportunity. The extra time allowed The Daniels to “reconcile complex and nuanced things” happening in the world and integrate those observations into their film. This highlights a growing trend in filmmaking: a more deliberate and responsive approach to current events.
The Rise of Event Filmmaking and IMAX
The Daniels aren’t just aiming for a fine movie; they’re aiming for an event. Kwan specifically mentioned plans to shoot extensively in IMAX, intending to “bring people together and give them a big event.” This reflects a broader industry shift towards prioritizing the theatrical experience, particularly for large-scale action and sci-fi films. IMAX continues to grow in popularity, with global box office revenue reaching $1.15 billion in 2023, a 10% increase from the previous year (source: IMAX Corporation investor reports).
Why IMAX Matters
IMAX offers a significantly more immersive experience than standard cinema, with larger screens, enhanced sound systems, and often, exclusive content. This appeals to a growing segment of moviegoers willing to pay a premium for a heightened cinematic experience. The success of films like Dune and Top Gun: Maverick demonstrates the power of IMAX in driving box office revenue.
Blending Genres: Sci-Fi, Action, and Existentialism
The Daniels describe their upcoming film as “fun sci-fi, action comedy with a big heart” and “very existential.” This genre blending is increasingly common in contemporary filmmaking. Audiences are seeking entertainment that is not only thrilling but also thought-provoking. Films like Arrival (2016) and Everything Everywhere All at Once demonstrate the commercial viability of combining high-concept sci-fi with emotional depth.
The Daniels’ Approach: Listening to the World
The Daniels’ creative process appears to be deeply rooted in observing and responding to the world around them. Kwan stated they aim to “listen very deeply to what is happening in the world and endeavor to internalize that.” This approach suggests a move away from purely escapist entertainment towards films that engage with contemporary issues and anxieties. This mirrors a trend in art and culture where creators are increasingly using their platforms to address social and political themes.
The Future of Mid-Budget Sci-Fi
The Daniels’ project represents a potential model for mid-budget sci-fi filmmaking. While blockbuster franchises dominate the box office, there’s a growing demand for original, character-driven sci-fi stories. The Daniels’ success with Everything Everywhere All at Once proves that audiences are receptive to innovative and unconventional sci-fi concepts. This could encourage studios to invest in more diverse and experimental sci-fi projects.
FAQ
Q: When will The Daniels’ new movie be released?
A: November 2027.
Q: What genre is the new movie?
A: Sci-fi action comedy with existential themes.
Q: Why was the release date delayed?
A: To avoid competition with Steven Spielberg’s Disclosure Day and allow the filmmakers time to incorporate current events into the story.
Q: Will the movie be shown in IMAX?
A: Yes, a significant portion of the film is planned to be shot for the IMAX format.
Did you know? The Daniels met while studying film at Emerson College.
Pro Tip: Keep an eye on The Daniels’ social media for updates on the film’s production and title reveal.
Stay tuned for more updates on this exciting project. What are your thoughts on the Daniels’ approach to filmmaking? Share your comments below!
