Artist Lilit Martirosyan utilizes tactile elements like natural wool and soil within her industrial studio space, transforming physical mediums to comment on land commodification and post-war traumas, according to recent workspace profiles.
Inside the Former Soviet-Era Silk Factory Studio
The workspace is located in an industrial sector inside a former Soviet-era silk factory building, according to Martirosyan. The first floor of the structure operates as a gold market, while the remaining levels house various small factories and artist spaces. Martirosyan has occupied the studio for approximately three and a half years. The room features a near-perfect cube layout with high ceilings and floor-to-ceiling windows that capture sunlight from 8 a.m. until 1 p.m.
“Going back there is a psychological, conscious choice to enter the space and interact with the energy,” Martirosyan stated regarding her routine.
Multidisciplinary Working Methods and Materials
Martirosyan works across installation, painting, and printmaking, often pairing physical labor with aesthetic surface experimentation. Her routine shifts between sifting soil and applying oil paint. While working, she typically plays old music, classic rock, 1930s jazz, or opera arias. For her recent project titled Body of Earth at ICA Yerevan—curated by Lilit Grigoryan—she utilized natural soil to construct vertical sculptures. The creation process involved sifting, gluing, and pressing earth to express the human condition through land condition.
Pro Tip: Separating a living space from an art studio allows creators to maintain a distinct physical boundary, keeping creative messes contained and fostering an environment free from everyday domestic distractions.
Studio Commute and Local Art Inspiration
The daily commute to the industrial workspace takes roughly 40 minutes each way, a transit period Martirosyan treats as a designated time out for resting or people-watching. Locally, she identifies the Cafesjian Center for the Arts as her preferred museum in the area.
Frequently Asked Questions
How long has Lilit Martirosyan worked in her current studio?
According to workspace profiles, she has occupied the studio for around three and a half years.
What materials does Martirosyan feature in her recent installations?
She works primarily with natural materials like wool and soil, creating vertical installations that address land commodification and post-war traumas.
Where is the artist’s workspace situated?
The studio is located in an industrial part of the city inside a former Soviet-era silk factory building.
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