According to reports from kaernten.ORF.at, artist Claus Prokop is presenting his abstract yet reality-grounded works in the exhibition titled “…oder die Liebe zur Geometrie” at Galerie Walker on Schloss Ebenau in Rosental. Approaching his 60th birthday, the artist frames the exhibition as a “Fest des Denkens” that challenges conventional understandings of mathematical order.
The Concept Behind the Geometry Exhibition at Schloss Ebenau
According to kaernten.ORF.at, the exhibition’s title directly references Max Frisch’s theater piece Don Juan oder Die Liebe zur Geometrie. Just as Frisch focused on the cultural image of Don Juan rather than the traditional myth, Prokop examines the broader concepts and cultural assumptions attached to geometry rather than treating it strictly as a mathematical system. His works blend digital construction methods with manual execution. Prokop stated, as reported by kaernten.ORF.at, that his creations grow out of his thoughts much like mushrooms grow from an underground mycelium: “Ich sehe mich mit dem, was ich mache, schon als Übersetzer, indem ich vor allem visuelle Informationen, aber auch Geschichten aufnehme und wieder als visuelle Information abgebe.”
Did you know? Claus Prokop views himself primarily as a translator of visual information and stories, processing them through digital and manual artistic techniques before presenting them to the viewer.
Naturalist Origins and Hidden Lines in Prokop’s Art
According to kaernten.ORF.at, Prokop’s abstract artworks stem from concrete, real-world foundations. His pieces incorporate diverse materials and source motifs, such as painted sections of wooden floorboards from a bicycle racing track, graphics derived from vineyard vine lines, and lines originating from Renaissance art pieces. In one notable example, a depiction of Jesus is drawn entirely from a single, continuous spiral. Prokop explained to kaernten.ORF.at: “Das Bild entsteht nur dadurch, dass diese Linie unterschiedlich dick ist. Ich habe diese Linie, dieses Motiv genommen, am Computer bearbeitet, vergrößert, bis es nur noch die Grundinformation – die Linie dieses Kopfes, der abgebildet ist – in sich trägt.”
The Pharaoh Pavilion and Questions of Civilization
According to kaernten.ORF.at, the exhibition extends into the castle’s gardens with a prominent sculpture that references two ancient Egyptian artifacts: the portable pavilion of Queen Hetepheres I and a bead net. Galeristin Carolin Walker noted to kaernten.ORF.at that the installation reflects “Fragen nach den Hinterlassenschaften einer Zivilisation und verweist darauf, dass unsere Gegenwart nur eine Episode in der Zeit darstellt, die Vergangenheit der Zukunft.” Prokop originally developed this pavilion structure for “Forever is Now,” an art project organized by Art d’Egypte in front of the pyramids of Gizeh. Discussing the project, Prokop told kaernten.ORF.at, “Was mich interessiert hat, war: was bleibt von einer Zivilisation übrig und welche Schlüsse ziehen wir daraus?”
Visitor Information and Exhibition Schedule
According to kaernten.ORF.at, the exhibition “…oder Die Liebe zur Geometrie” remains open at Galerie Walker on Schloss Ebenau in Rosental until the end of October. Visitors can view the collection on Fridays, Saturdays, and Sundays from 14:00 to 18:00, or by arranging an appointment via telephone.
Frequently Asked Questions
-
Where is the Claus Prokop exhibition located?
According to kaernten.ORF.at, the exhibition is hosted at Galerie Walker on Schloss Ebenau in Rosental. -
When can visitors view the exhibition?
According to kaernten.ORF.at, the gallery opens Friday, Saturday, and Sunday from 14:00 to 18:00, and at other times by telephone appointment until the end of October. -
What literary work inspired the exhibition title?
According to kaernten.ORF.at, the title references Max Frisch’s theater piece Don Juan oder Die Liebe zur Geometrie.