Beyond the Footlights: The Growing Appeal of Community Theater & Hybrid Roles
Shelley Young’s shift from performer to crew member with Footlite Musicals isn’t just a personal change – it reflects a fascinating trend in community theater. Across the country, dedicated theater enthusiasts are increasingly embracing multifaceted roles, blurring the lines between onstage talent and the vital support system behind the scenes. This isn’t about a lack of performers; it’s about a deeper engagement with the art form and a recognition of the collaborative spirit that makes live performance possible.
The Rise of the “Theater Polymath”
For years, community theater relied on distinct groups: actors, builders, costume designers, and so on. Now, we’re seeing a rise in the “theater polymath” – individuals comfortable and proficient in multiple disciplines. This trend is fueled by several factors. First, a desire for a more holistic understanding of the production process. Second, the need for flexibility in smaller theaters where resources are often stretched thin. And third, a growing appreciation for the interconnectedness of all theatrical elements.
“I have experienced the magic of putting together a musical only from the cast side of things up to now,” Young explains. Her sentiment is echoed by many. It’s a desire to contribute beyond performance, to understand the intricate mechanics that bring a show to life.
Did you know? A 2023 study by the Americans for the Arts found that volunteers contribute an estimated $2 billion worth of services to nonprofit arts and culture organizations annually. Community theaters are heavily reliant on this volunteer base, and the trend towards multi-skilled volunteers is strengthening that foundation.
Choreography & Collaboration: A New Generation of Theater Makers
Katie van den Heuvel’s experience as both choreographer and performer for “Funny Girl” highlights another key trend: younger generations are entering community theater with a collaborative mindset. Van den Heuvel’s challenge of teaching tap to ensemble members with limited experience demonstrates a willingness to nurture talent and build skills within the group. This contrasts with a more traditional hierarchical approach.
The Democratization of Creative Control
This collaborative spirit extends to choreography. Traditionally, the choreographer held significant authority. Now, there’s a growing emphasis on incorporating performer input and adapting choreography to suit the skills and strengths of the ensemble. This “democratization” of creative control fosters a more inclusive and empowering environment.
Van den Heuvel’s experience underscores the importance of effective communication. “One of the biggest challenges…was not only having the vision…but learning how to communicate it in a way that people understood.” This highlights the need for strong leadership skills – not just artistic vision – in modern community theater.
Producing as Community Building: The Heart of Local Theater
Beth Swayze, as producer, embodies the role of community builder. Her focus on “engaging with the many facets that bring a show to life” speaks to a broader understanding of the producer’s responsibility. It’s no longer simply about managing budgets and logistics; it’s about fostering a sense of belonging and creating a positive experience for everyone involved.
The Producer as Facilitator
This shift in perspective is crucial. Producers are increasingly seen as facilitators, connecting resources, managing expectations, and ensuring that everyone feels valued. This approach is particularly important in community theater, where volunteers are the lifeblood of the organization.
Pro Tip: For community theaters looking to foster this collaborative environment, consider implementing regular feedback sessions and cross-training opportunities. Encourage members to learn new skills and share their expertise with others.
Looking Ahead: The Future of Community Theater
These trends – the rise of the theater polymath, the democratization of creative control, and the producer as community builder – point to a vibrant future for community theater. By embracing collaboration, fostering inclusivity, and valuing the contributions of all involved, these organizations can continue to thrive and enrich their communities for years to come.
FAQ
Q: Is experience necessary to get involved in community theater?
A: Not at all! Many roles are open to beginners, and community theaters often offer workshops and training opportunities.
Q: What are the benefits of volunteering with a community theater?
A: Beyond the joy of participating in the arts, volunteering can help you develop new skills, meet new people, and build confidence.
Q: How can I find a community theater near me?
A: A great resource is the American Association of Community Theatres website: https://www.aact.org/
Want to learn more about Footlite Musicals and their production of “Funny Girl”? Visit footlite.org. Share your own experiences with community theater in the comments below!
