Reclaiming Black Equestrian Heritage: Bria Edwards’ Art and a Growing Cultural Movement
Multidisciplinary artist Bria Edwards is at the forefront of a powerful artistic movement that’s bringing the rich history of Black cowboy and equestrian culture into sharp focus. Her solo exhibition, What We Do, We’ve Always Done, currently on display at the Julio Fine Arts Gallery at Loyola University Maryland in Baltimore, isn’t just an art show. it’s a reclamation of a narrative often overlooked in American history.
Beyond the Stereotypes: A History of Black Horsemanship
For decades, depictions of American leisure activities, like horse riding, have largely excluded Black experiences. The historical association of African Americans with horses often defaults to roles as grooms or jockeys like George Anderson, the first African American to win the Preakness in 1889, or arabbers selling produce from horse-drawn wagons. However, the reality is far more nuanced. Edwards’ work, inspired by candid interviews with Black equestrians, highlights a tradition of Black landowners with intergenerational wealth who ride for leisure, challenging conventional perceptions.
As Dr. Lauren Davidson of Museum Nectar Art Consultancy notes, this isn’t simply about showcasing a pastime; it’s about acknowledging a longstanding tradition. From enslaved people forced into skilled horsemanship on plantations to contemporary equestrians creating space for themselves in a cultural landscape, the story of Black riders is integral to the American story.
The Art of Reclamation: Technique and Inspiration
Edwards’ artistic approach is as compelling as the subject matter. She utilizes “heavy body paints, sawdust, and pumice gel” to create textured canvases that bring her subjects to life. This deliberate apply of materials, she explains, is akin to a writer’s use of language – a way to vividly retell the stories of the riders she encounters. Some pieces incorporate embroidery and rhinestones, subtle nods to Black expressive culture.
The exhibition’s title itself came from a conversation with cowboy Ray Lockamy. When asked about the inherent Blackness of the cowboy culture, Lockamy simply stated, “What we do, we’ve always done.” This phrase encapsulates the enduring nature of this tradition and the resilience of the communities who have preserved it.
A Rising Tide: Increased Visibility for Black Equestrian Culture
The growing prominence of Black cowboy culture in recent years reflects a broader societal shift towards recognizing and celebrating marginalized histories. Edwards’ work is part of a larger conversation, fueled by documentaries and increased media representation, that’s challenging long-held assumptions about who gets to participate in American leisure traditions.
Edwards discovered this world through a chance encounter, highlighting the importance of simply asking questions and being open to new perspectives. Her photographs, used as the basis for her paintings, are too featured in the exhibition, offering a deeper look into the dedication and care that goes into equestrian life.
Looking Ahead: Continued Exploration and Dialogue
Edwards and Dr. Davidson hosted a guided gallery tour of What We Do, We’ve Always Done on March 27, providing an opportunity for deeper engagement with the artwork and its themes. This exhibition is not just a display of art; it’s a catalyst for dialogue and a powerful reminder that the story of America is incomplete without acknowledging the contributions and experiences of Black riders.
Frequently Asked Questions
Q: Where is Bria Edwards’ exhibition currently on display?
A: The exhibition, What We Do, We’ve Always Done, is at the Julio Fine Arts Gallery at Loyola University Maryland in Baltimore.
Q: What materials does Bria Edwards use in her artwork?
A: She uses heavy body paints, sawdust, and pumice gel to create textured canvases.
Q: What inspired the title of the exhibition?
A: The title came from a conversation with cowboy Ray Lockamy, who said, “What we do, we’ve always done.”
Q: Is this exhibition still open to the public?
A: The exhibition was on view until March 27, 2026.
Did you know? The history of Black equestrians extends back to the era of enslavement, where enslaved people were often forced to become skilled horsemen on plantations.
Pro Tip: Explore the work of other artists and filmmakers who are dedicated to preserving and celebrating Black history and culture.
What are your thoughts on the importance of reclaiming marginalized histories? Share your comments below!
