‘By 15, I was hanging out with Skrillex’: the idiosyncratic club music of reformed EDM kid Villager | Music

by Chief Editor

The Evolving Landscape of Electronic Music: From EDM Excess to Holistic Creation

The story of Alex Young, now Villager, as detailed in a recent profile, isn’t just a personal journey from teenage EDM stardom to nuanced electronic artistry. It’s a microcosm of a broader shift happening within the music industry – a move away from the purely commercial and towards authenticity, mental wellbeing, and a more holistic approach to music creation. We’re seeing a recalibration of values, driven by artists and audiences alike.

The Burnout Effect: Why EDM’s Peak is Fading

The early 2010s saw an explosion of Electronic Dance Music (EDM). Fueled by festivals like Electric Daisy Carnival and Ultra Music Festival, and propelled by artists like Skrillex and Diplo, the genre became a global phenomenon. However, the relentless pace, commercial pressures, and often superficial nature of the scene led to burnout for many artists, as Young’s experience illustrates. A 2022 study by the Help Musicians UK found that 73% of musicians experience mental health challenges, often linked to the pressures of the industry. This isn’t limited to EDM; it’s a systemic issue, but the genre’s particularly frenetic energy amplified it.

The market is responding. While EDM remains popular, its dominance is waning. Streaming data from Spotify and Apple Music shows a diversification of listener preferences, with increased interest in genres like ambient, techno, and experimental electronic music – sounds that prioritize atmosphere and emotional depth over sheer energy. The rise of artists like Floating Points, Jon Hopkins, and Four Tet (all mentioned as influences for Villager) demonstrates this trend.

The Rise of the ‘Second Life’ Artist: Reinvention and Authenticity

Villager’s story highlights a growing trend: artists actively choosing to redefine their careers. This often involves stepping away from commercially driven pursuits to explore more personal and artistically fulfilling paths. This isn’t necessarily about abandoning success, but about redefining it on their own terms. Look at James Blake, who transitioned from dubstep-influenced electronic music to a critically acclaimed singer-songwriter, or Bonobo, who consistently blends electronic and organic elements to create a unique sonic landscape.

This reinvention is often fueled by a desire for authenticity. Audiences are increasingly discerning, craving genuine connection with artists who are transparent about their creative process and personal struggles. The willingness to address issues like mental health, as Villager does, resonates deeply with listeners.

Beyond the Laptop: A Return to Tactile Creation

Villager’s shift from laptop-based production to sequencers and samplers is indicative of a broader movement within electronic music. There’s a growing appreciation for the tactile and unpredictable nature of analog and modular synthesis. This isn’t about rejecting digital tools entirely, but about finding a balance between precision and serendipity.

Artists like Blawan and Pangaea, pioneers of the “anything-goes” dubstep sound, have long championed this approach. The resurgence of interest in these early 2010s sounds suggests a desire for rawness and experimentation, a reaction against the polished perfection often associated with mainstream EDM. The affordability of used analog equipment is also making this approach more accessible to a wider range of artists.

The Social Context of Dance Music: From Stage to Dancefloor

Villager’s realization that his early relationship with dance music lacked social context is a crucial point. For many artists, the experience of being *on* stage overshadowed the experience of being *part of* the dancefloor. This has led to a renewed emphasis on community and shared experience.

Clubs are evolving into spaces that prioritize inclusivity and wellbeing, offering safe environments for experimentation and connection. The rise of “conscious clubbing” events, which incorporate mindfulness practices and promote responsible drug use, reflects this shift. Festivals are also beginning to address mental health concerns, offering on-site support services and promoting harm reduction strategies.

The Interplay of Substance Use and Creativity: A Complex Relationship

Villager’s candid discussion of his ketamine addiction is a brave and important one. The relationship between substance use and creativity is complex and often fraught with danger. While some artists report that drugs can unlock new creative pathways, the risks of addiction and mental health problems are significant.

The music industry has historically been complicit in normalizing substance abuse. However, there’s a growing awareness of the need for support and resources for artists struggling with addiction. Organizations like Musicians Support UK and the Substance Abuse and Mental Health Services Administration (SAMHSA) offer valuable assistance.

The Future Sound: Hybridity and Emotional Resonance

The future of electronic music likely lies in hybridity – blending genres, incorporating organic elements, and embracing experimentation. We’ll see more artists drawing inspiration from diverse sources, from classical music to jazz to world music. The emphasis will be on creating music that is emotionally resonant and intellectually stimulating, rather than simply designed for immediate gratification.

Artists like Fred Again.., with his innovative use of vocal samples and emotionally charged performances, are already leading the way. The integration of AI and machine learning into the creative process will also play a role, but the human element – the artist’s unique vision and emotional depth – will remain paramount.

FAQ

Q: Is EDM dead?
A: No, but its dominance has decreased. The market has diversified, with listeners exploring a wider range of electronic genres.

Q: What is “conscious clubbing”?
A: Events that prioritize inclusivity, wellbeing, and responsible behavior, often incorporating mindfulness practices and harm reduction strategies.

Q: Are analog synthesizers better than digital ones?
A: Not necessarily. Both have their strengths and weaknesses. Analog synths offer a unique warmth and unpredictability, while digital synths provide precision and versatility.

Q: Where can I find resources for musicians struggling with mental health?
A: Musicians Support UK (https://www.helpmusicians.org.uk/) and SAMHSA (https://www.samhsa.gov/) are excellent starting points.

Did you know? The term “dubstep” originated in South London in the early 2000s, evolving from UK garage and 2-step music.

Pro Tip: Explore music discovery platforms like Bandcamp and SoundCloud to uncover emerging artists and experimental sounds.

What are your thoughts on the evolution of electronic music? Share your favorite artists and genres in the comments below!

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