The Los Angeles Opera is currently presenting a production of Philip Glass’s opera, Akhnaten, with performances scheduled through March 22. The production utilizes sets and costumes originally created by the English National Opera and premiered on the West Coast in 2011 with the Long Beach Opera.
Akhnaten differs from traditional operas, featuring a male lead written for a countertenor and lyrics sung in languages from the time of the pharaohs. One observer noted a challenge for those seated in the balcony, where the staging—incorporating a four-level stage with activity occurring in boxes at the back—required binoculars to fully appreciate.
The production included ten jugglers, functioning as helpers, plot movers, and potentially representing Akhnaten’s guard opposing a reactionary priest class. The presence of the jugglers, tossing objects resembling baseballs and bowling pins, was described as distracting by one viewer, despite a critic noting juggling existed in ancient Egypt.
A visually striking moment occurred in the second act, featuring a giant disc representing the sun during Akhnaten’s hymn to the sun. This scene was described as musically and visually engaging.
John Holiday, from Rosenberg, Texas, performed the role of Akhnaten, and Zachary James, from Spring Hill, Florida, played the ghost of Akhnaten’s father. The orchestra, under the direction of conductor Dalia Stasevska, performed the rhythmic and repetitive score characteristic of Philip Glass’s work. The opera received a rousing ovation.
The production notably omitted supertitles, which are typically used in opera to provide translations. This omission, combined with the staging, meant that audience members without prior knowledge of the story or the historical context may have struggled to follow the plot.
Frequently Asked Questions
What is Akhnaten about?
Akhnaten is an opera inspired by the life of the pharaoh who introduced monotheism to Egypt.
Who composed the music for Akhnaten?
The music was composed by Philip Glass.
When does the current production of Akhnaten at the L.A. Opera conclude?
The production runs through March 22.
Given the unique staging and musical style of Akhnaten, what elements of the production resonated most with you, and how did they contribute to your overall experience?
