<p>The sinking feeling. It’s a universal dread for anyone who creates video content: a corrupted file. Recently, while recording an impromptu episode of <a href="https://www.pabloyglesias.com/podcast/">enCLAVE DIGITAL</a> with my Sony ZV-E10 and Hollyland Lark M2 mics, that nightmare became reality. The battery died mid-interview.</p>
<p>Selecting “Recover video” on the camera seemed to save the day. We continued recording, but a nagging worry persisted. And rightly so. When I transferred the file to my computer, no player – VLC, Windows Media Player, or QuickTime – could open it. A 32GB MP4, seemingly lost.</p>
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<p>This article details how I recovered the file using Untrunc, a free, open-source tool, and shares lessons for content creators using mirrorless cameras for podcasts, vlogs, or interviews.</p>
<figure class="wp-block-image size-full"><img decoding="async" loading="lazy" src="https://www.pabloyglesias.com/wp-content/uploads/2026/01/untrunc-ejemplo.jpg" alt="Untrunc Screenshot" /></figure>
<h2>The Technical Setup for enCLAVE DIGITAL</h2>
<p>While I typically record enCLAVE DIGITAL videos with a camera connected to a dummy battery and a microphone connected to the computer, this special episode required a different setup. I used my <a href="https://amzn.to/4ppRPvH" target="_blank" rel="noreferrer noopener">Sony ZV-E10</a> in 4K at 30p with stereo recording, connecting <a href="https://www.pabloyglesias.com/hollyland-lark-m2-mejor-calidad-audio-contenidos-audiovisuales/">Hollyland Lark M2</a> mics to separate my voice (left channel) and the interviewee’s (right channel). Stereo recording was intended to simplify post-production.</p>
<p>The Lark M2 receiver was in stereo mode (blue LED), with Audio Rec Level set to -12dB to prevent clipping. I recorded directly to a SanDisk Extreme Pro UHS-I U3 SD card, compatible with the ZV-E10’s speeds (up to 170-200 MB/s read).</p>
<p>Strategic lighting was also in place. Everything seemed perfect for a high-value interview discussing <a href="https://www.pabloyglesias.com/3-aprendizajes-negocios-familia-charla-elia-guardiola/">navigating 2025 and lessons learned from 2024</a>.</p>
<p>But at the 11-minute mark, the original NP-FW50 battery died. I swapped in a spare, and the camera prompted: “Recover Image DB?” I selected “Yes,” and continued recording for another 8 minutes, but with a growing sense of unease.</p>
<p>Upon copying the files to my computer, the first video – containing the bulk of the interview – was unplayable.</p>
<figure class="wp-block-image aligncenter size-full"><img decoding="async" loading="lazy" src="https://www.pabloyglesias.com/wp-content/uploads/2026/01/video-corrupto.jpg" alt="Corrupted Video File" /></figure>
<p class="has-text-align-center"><em>(Video C0087 plays fine, but C0086 is corrupted due to battery loss during recording and is therefore unplayable.)</em></p>
<h2>Why Did the MP4 File Become Corrupted?</h2>
<p>Cameras like the Sony ZV-E10 write videos in MP4 containers using the H.264/XAVC-S codec. When the battery dies abruptly, the file becomes “truncated”: the final metadata (MOOV atom), which indexes frames, audio, and duration, is missing. The content is still there, but the player lacks the guide to read it.</p>
<p>Initial attempts to fix the file failed:</p>
<ul>
<li><strong>VLC advanced settings:</strong> Tools > Preferences > Input/Codecs > Always fix.</li>
<li><strong>Shutter Encoder:</strong> Rewrap and H.264 re-encode.</li>
<li><strong>DaVinci Resolve:</strong> Crashed at 30%.</li>
<li><strong>Wondershare Repairit:</strong> Stalled at 83.70% after three hours.</li>
</ul>
<p>This led me to explore GitHub and discover Untrunc.</p>
<figure class="wp-block-image size-full"><img decoding="async" loading="lazy" src="https://www.pabloyglesias.com/wp-content/uploads/2026/01/herramienta-untruc-recuperacion-video.jpg" alt="Untrunc Tool Screenshot" /></figure>
<h2>Untrunc: The Free Video Recovery Savior</h2>
<p>Untrunc, developed by <a href="https://github.com/anthwlock/untrunc" target="_blank" rel="noreferrer noopener">Anthwlock</a>, reconstructs truncated MP4s using a healthy reference video from the same device. It’s free, cross-platform (Windows, Mac, Linux), and effective in 80-90% of cases involving battery drain on Sony ZV-E10, A7III, or FX30 cameras.</p>
<p>It works by analyzing the internal structure of the reference file (headers, video/audio tracks) and copying it to the corrupted file, completing the missing metadata.</p>
<h3>Step 1: Prepare Files and Download Untrunc</h3>
<ol class="wp-block-list">
<li><strong>Record a reference video:</strong> Use the same camera, resolution, framerate, and audio setup.</li>
<li><strong>Download Untrunc:</strong> <a href="https://github.com/anthwlock/untrunc">https://github.com/anthwlock/untrunc</a></li>
<li>Copy <code>reference_sana.mp4</code> and <code>corrupto.mp4</code> to the Untrunc folder. <strong>Do not modify the originals!</strong></li>
</ol>
<h3>Step 2: First Attempt – Basic Recovery (8 Minutes)</h3>
<p>Open CMD in the folder (Shift+Right Click > Open terminal):</p>
<pre class="wp-block-preformatted">text<code>untrunc.exe referencia_sana.mp4 corrupto.mp4</code></pre>
<p>This created <code>fixed.mp4</code>, which played in VLC, but only for 8 minutes and 13 seconds – the length of the reference video. The corrupted file was over an hour long.</p>
<h3>Step 3: Activate Step Mode (-s) for Complete Recovery</h3>
<p>The <code>-s</code> (step mode) flag reconstructs progressively, predicting MP4 structures byte-by-byte and bypassing errors without relying solely on the reference.</p>
<pre class="wp-block-preformatted">text<code>untrunc.exe -s referencia_sana.mp4 corrupto.mp4</code></pre>
<p>With -s activated, the process took around 15 minutes, resulting in a 31GB video – the complete interview with intact stereo audio! Verification in Premiere confirmed the separated voices and no glitches.</p>
<h2>Lessons Learned for Content Creators</h2>
<p>Here are some preventative measures:</p>
<ul>
<li><strong>Proxy Recording:</strong> MENU > Camera Settings2 > Proxy > On.</li>
<li><strong>Dummy Battery:</strong> Use a dummy battery and power bank.</li>
<li><strong>Audio Signals:</strong> Enable low battery beep. MENU > Setup > Audio Signals > On.</li>
<li><strong>Short Clips:</strong> Limit file length to 12 minutes.</li>
<li><strong>Fast SD Cards:</strong> Use UHS-I U3/V30 cards.</li>
</ul>
<h2>MP4 Recovery Tool Comparison</h2>
<figure class="wp-block-table"><table class="has-fixed-layout"><thead><tr><th class="has-text-align-left" data-align="left">Tool</th><th class="has-text-align-left" data-align="left">Free</th><th class="has-text-align-left" data-align="left">Needs Reference</th><th class="has-text-align-left" data-align="left">Recovers >Ref</th><th class="has-text-align-left" data-align="left">Ease of Use</th><th class="has-text-align-left" data-align="left">Success Rate</th></tr></thead><tbody><tr><td>Untrunc (-s)</td><td>Yes</td><td>Yes</td><td>Yes</td><td>Medium</td><td>90%</td></tr><tr><td>Shutter Encoder</td><td>Yes</td><td>No</td><td>Partial</td><td>High</td><td>70%</td></tr><tr><td>VLC Fix</td><td>Yes</td><td>No</td><td>No</td><td>Low</td><td>30%</td></tr><tr><td>Wondershare Repairit</td><td>No (~30€)</td><td>No</td><td>Partial</td><td>High</td><td>80%</td></tr><tr><td>DaVinci Resolve</td><td>Yes</td><td>No</td><td>Partial</td><td>Medium</td><td>50%</td></tr></tbody></table></figure>
<p><strong>Did you know?</strong> A full battery isn't always enough. Sudden power loss can still corrupt files, even with a seemingly charged battery. Regularly backing up your footage is crucial.</p>
<p><strong>Pro Tip:</strong> Always test your recovery workflow *before* a critical shoot. Knowing your tools and having a backup plan can save you hours of frustration.</p>
<p>Have you ever experienced a corrupted video file? Share your story and recovery tips in the comments below!</p>
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Samantha Carter oversees all editorial operations at Newsy-Today.com. With more than 15 years of experience in national and international reporting, she previously led newsroom teams covering political affairs, investigative reporting, and global breaking news. Her editorial approach emphasizes accuracy, speed, and integrity across all coverage. Samantha is responsible for editorial strategy, quality control, and long-term newsroom development.