Christopher Nolan’s The Odyssey is driving a global resurgence in Imax 1570 film projection, with fans traveling from Turkey, Singapore, and Los Angeles to visit one of only 41 remaining capable cinemas worldwide. According to Imax Melbourne general manager Jeremy Fee, the film’s release has triggered a “huge groundswell” of audience interest in specific filming methodologies and analog formats.

The Technical Superiority of Imax 1570 Film

Imax 1570 is the highest-resolution film format in existence. It is named for the 70mm width of the film stock and the 15 perforations on each frame. While most cinemas transitioned to digital projection a decade ago, Nolan continues to champion this analog medium for its perceived warmth and richness.

The Odyssey marks a technical milestone as the first feature film shot entirely on 1570 cameras. These machines are notoriously difficult to operate; they are loud, heavy, and require film stock changes every three minutes. To record dialogue for the first time in this format, Nolan collaborated with Imax to create a soundproofing “blimp” to house the 180kg camera.

Why Audiences are Traveling Thousands of Miles to Melbourne

For some viewers, the format is as essential as the story. Christian Wächter, who traveled from Germany to Melbourne, argues that seeing the film in 1570 is a cultural experience comparable to attending the World Cup or Formula One. Wächter notes that while larger screens exist in Germany, they are digital and lack the full peripheral vision provided by the 1570 format.

Imax Melbourne currently holds a unique position as the only cinema in the southern hemisphere with a 1570 reel of The Odyssey. It also features the world’s largest 1.43:1 screen, measuring 32m wide by 23m high—roughly the height of a seven-story building.

The demand is reflected in the ticket sales. According to Jeremy Fee, the cinema sold more than 17,000 tickets in under 24 hours when they first went on sale a year ago. Total sales have since surpassed 30,000, making it the eighth biggest film in the venue’s history before its official opening.

The Analog Comeback: 1570 vs. Digital

The industry is seeing a slow but steady return to physical film. The number of cinemas capable of projecting 1570 film grew from 30 to 41 globally since the release of Oppenheimer three years ago. This trend isn’t limited to Nolan; Fee reports that other filmmakers are returning to 35mm, 70mm, and VistaVision to achieve a level of authorship that cannot be replicated on a home TV.

Dan Drobik, a 1570 projectionist at Imax Melbourne, compares the difference between digital and film to the way audiophiles prefer vinyl over CDs. While both deliver the same content, Drobik describes the 1570 experience as “earthier, richer,” and more natural.

Comparison: 1570 Film vs. Digital Projection

The Future of the “Singular Cinema Experience”

The scarcity of 1570 projection is turning movie-going into a destination event. Drobik notes that older films, such as the 2014 release Interstellar, are now selling more tickets in this format than they did during their initial runs. This suggests a growing consumer awareness of the “precious” nature of physical film.

This shift is particularly evident among younger audiences. Fee observes that the hype surrounding The Odyssey has led to a new era where film formats and filming methodologies are leading the discussion on where and how to watch a movie.

Frequently Asked Questions

What is Imax 1570?

It is a high-resolution film format using 70mm film stock with 15 perforations per frame, offering significantly more detail and a larger image area than standard digital or 35mm film.

Why is it so rare?

Most cinemas switched to digital projection around a decade ago because it is cheaper and easier to maintain. Currently, only 41 cinemas globally can project 1570 film.

How is The Odyssey different from other Imax films?

According to technical reports, it is the first feature film ever shot entirely on 1570 cameras, whereas previous films often used a mix of formats.

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