Review: Hershey Felder riveting, entertaining in personal ‘Piano and Me’  

by Chief Editor

Hershey Felder’s “The Piano and Me”: A Resurgence of Autobiographical Performance and the Future of Solo Theatre

Hershey Felder’s latest work, “The Piano and Me,” currently captivating audiences at TheatreWorks Silicon Valley, isn’t just a compelling piece of theatre; it’s a bellwether for a growing trend: the intensely personal, autobiographical performance. While Felder has long blended biography and music, this shift towards centering his own narrative signals a broader movement within the performing arts, driven by audience desire for authenticity and connection.

The Rise of the Solo Performer: Beyond Biography

For decades, solo performance has existed, often focusing on historical figures or fictional characters. Think of Hal Holbrook’s Mark Twain, or Anna Deavere Smith’s documentary theatre. However, the current wave, exemplified by Felder, is distinctly about the performer themselves. This isn’t simply self-indulgence; it’s a strategic response to a cultural moment craving vulnerability. Audiences are increasingly drawn to stories that feel real, raw, and unfiltered.

This trend is fueled by several factors. The proliferation of memoir literature and podcasts demonstrates a public appetite for personal narratives. Social media, while often curated, has normalized sharing intimate details of life. And, post-pandemic, there’s a renewed appreciation for the power of live, unmediated human connection.

Consider the success of Mike Birbiglia’s one-man shows, like “The New One,” which unflinchingly explores the anxieties of parenthood. Or the widespread acclaim for Phoebe Waller-Bridge’s “Fleabag,” which originated as a one-woman play before becoming a television phenomenon. These works resonate because they tap into universal experiences through a uniquely personal lens.

Technology’s Role: Enhancing Intimacy, Not Replacing It

“The Piano and Me” cleverly integrates technology – projections, lighting, and sound – but crucially, these elements support Felder’s performance, rather than overshadowing it. This is a key takeaway for the future of solo theatre. Technology shouldn’t be used to create spectacle at the expense of intimacy.

We’re seeing innovative uses of augmented reality (AR) and virtual reality (VR) in smaller-scale productions, allowing performers to create immersive environments without massive budgets. For example, some companies are experimenting with AR apps that allow audience members to see digital elements overlaid onto the stage, enhancing the storytelling. However, the human element remains paramount.

Pro Tip: When incorporating technology, prioritize enhancing the emotional connection with the audience. Avoid gimmicks that distract from the performer’s core narrative.

The Intersection of Music, Memory, and Trauma

Felder’s play delves into the formative experiences of his childhood, including his family’s history as Jewish immigrants and the trauma of his mother’s early death. This exploration of memory and trauma is another significant trend in contemporary performance.

Neuroscience research increasingly demonstrates the powerful link between music and memory. Music can unlock deeply buried emotions and provide a pathway to processing traumatic experiences. Performers are leveraging this understanding to create work that is both emotionally resonant and potentially therapeutic – for both the performer and the audience.

Recent studies by the American Psychological Association highlight the benefits of expressive arts therapies, including music and theatre, in treating PTSD and other mental health conditions. This suggests a growing recognition of the healing power of performance.

The Future Landscape: Accessibility and Diversification

The future of autobiographical performance looks bright, but it’s crucial to address issues of accessibility and diversification. Historically, solo theatre has been dominated by a relatively narrow demographic.

We need to see more stories from performers of color, LGBTQ+ individuals, people with disabilities, and other underrepresented groups. Funding initiatives and mentorship programs can play a vital role in supporting emerging artists from diverse backgrounds.

Furthermore, making solo theatre more accessible requires innovative pricing models and outreach efforts. Streaming platforms and digital archives can expand the reach of these performances beyond geographical limitations.

FAQ: The Future of Solo Performance

  • Is solo theatre a dying art form? No, it’s experiencing a resurgence, driven by audience demand for authenticity and connection.
  • Will technology replace live performers? Technology will enhance performance, but the human element will remain essential.
  • What makes a successful autobiographical performance? Vulnerability, honesty, and a compelling narrative are key.
  • How can I support solo performers? Attend performances, share their work on social media, and donate to arts organizations.

Did you know? The National Performance Network (NPN) provides funding and support for independent artists across the United States, including many solo performers. Learn more about NPN here.

As Hershey Felder demonstrates with “The Piano and Me,” the most powerful stories are often the ones we tell about ourselves. The future of theatre lies in embracing this truth and creating spaces for diverse voices to be heard.

Want to explore more? Check out our article on the evolving role of music in contemporary theatre or the impact of trauma-informed storytelling.

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