Ryoji Ikeda, the acclaimed Japanese audiovisual artist, is set to unveil his latest monumental installation, data-cosm [n°1], at 180 Studios in London this October. The immersive experience, commissioned by 180 Studios, promises a “total sensory encounter” that translates vast datasets into a breathtaking audiovisual environment, charting everything from the intricacies of particle physics to the scale of astrophysics.
A Universe of Data, Experienced Lying Down
Visitors to data-cosm [n°1] will be invited to lie down and look up at a massive LED screen spanning the ceiling, surrounded by Ikeda’s signature soundscapes. The installation, which opens October 15th, 2025, is designed to function as both a “microscope” and a “telescope,” collapsing the boundaries between the infinitely small and the infinitely large. It’s a concept Ikeda previously explored in his lauded data-verse project.
Ikeda’s work is known for its mathematical precision and aesthetic rigor, transforming complex data into compelling artistic experiences. As described by 180 Studios, data-cosm [n°1] aims to explore the intersection of art and physics “on an unprecedented scale.”
The installation runs through December 21, 2025, and tickets are currently available through the 180 Studios website. Given Ikeda’s established fanbase and the unique nature of the experience, demand is expected to be high.
A History of Immersive Collaboration
This isn’t Ikeda’s first foray into large-scale immersive installations. In 2021, 180 Studios hosted the largest exhibition of his work to date, showcasing a range of data-driven pieces. The continued partnership highlights a shared commitment to pushing the boundaries of audiovisual art and creating experiences that challenge perception.
With data-cosm [n°1], Ikeda appears to be deepening his exploration of the fundamental building blocks of reality, offering audiences a chance to contemplate the universe – and our place within it – in a wholly new way. Will this installation redefine the boundaries of immersive art, and what impact will it have on audiences seeking experiences beyond the traditional gallery setting?
