Soulja Boy Claims Streaming Firsts After PlaqueBoyMax Grammy Talk

by Chief Editor

A recent exchange on social media highlighted a debate over who could be considered the “first streamer” to receive a Grammy nomination. The discussion began when PlaqueBoyMax claimed the title, prompting a response from Soulja Boy, who asserted he was nominated for a Grammy in 2008 for his song “Crank That (Soulja Boy).”

Early Adoption of Digital Platforms

Soulja Boy’s claim was supported by responses from Grok, which pointed to his early adoption of livestreaming platforms like justin.tv in 2007 and a performance on YouTube Live in 2008. This exchange underscores the role of early digital creators in shaping the current music streaming landscape.

Did You Know? Soulja Boy received a Grammy nomination in 2008 for “Crank That (Soulja Boy),” competing in the Best Rap Song category.

PlaqueBoyMax acknowledged Soulja Boy’s prior claim while speaking with Variety, stating he was unaware of the earlier nomination. He conceded, “Soulja Boy did everything first, like, bro, let me have some, n**ga.”

PlaqueBoyMax was nominated for Best Dance/Electronic Recording for his work on Fred again.. And Skepta’s “Victory Lap,” but the trio ultimately lost to Tame Impala’s “End of Summer.” Despite the loss, PlaqueBoyMax expressed gratitude for the nomination and acknowledged his increasing popularity in Hip Hop could lead to future opportunities.

Expert Insight: This exchange illustrates the evolving definition of “creator” in the digital age. As platforms and methods of distribution change, establishing clear precedents for recognition and influence becomes increasingly complex.

Frequently Asked Questions

Who responded to PlaqueBoyMax’s claim?

Soulja Boy responded to PlaqueBoyMax’s claim, stating he was nominated for a Grammy in 2008.

What platform did Soulja Boy use for early livestreaming?

Grok cited Soulja Boy’s early use of justin.tv for livestreaming in 2007.

What category was PlaqueBoyMax nominated for at the Grammy Awards?

PlaqueBoyMax was nominated for Best Dance/Electronic Recording for his work on Fred again.. And Skepta’s “Victory Lap.”

Will the ongoing evolution of digital music platforms continue to challenge established notions of who can be considered a “first” in the industry?

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