Expanding the Classical Canon: A Novel Era for Theatre and HBCU Collaboration
The Shakespeare Theatre Company (STC) is forging a path toward a more inclusive and representative classical theatre landscape. A key component of this effort is a sustained partnership with Historically Black Colleges and Universities (HBCUs), specifically Howard University’s Chadwick A. Boseman College of Fine Arts and Morgan State University’s Musical Theatre Division.
From Oedipus to Dream on Monkey Mountain: A Personal Journey
LeeAnét Noble, STC’s Director of Belonging, highlights a pivotal moment in her own theatrical education: witnessing The Oedipus Plays at STC as a Howard University student. This production, set in Africa and featuring Black actors like Earle Hyman and Avery Brooks, demonstrated the power of reimagining classical works to resonate with diverse audiences. This experience directly influenced her commitment to expanding the classical canon at STC.
The Dramaturgy Program: Cultivating the Next Generation
STC’s reading/dramaturgy program, now in its fifth year, is central to this initiative. The program brings together students from Howard and Morgan State for seven-week dramaturgical sessions led by STC Artistic Producer Dr. Drew Lichtenberg and other guests. These sessions culminate in a staged reading directed by Noble. This year’s focus is Derek Walcott’s Dream on Monkey Mountain, an allegorical play exploring themes of colonialism, religion, class and identity.
Beyond the Stage: Career Pathways for Students
The program isn’t solely about performance. It provides students with a deep dive into the dramaturgical process and valuable networking opportunities. Rebecca Celeste, a recent participant, secured roles in STC mainstage productions after participating in the program for two consecutive years. This demonstrates the program’s potential to launch careers in the theatre industry.
The Power of Collaboration: Bridging Institutions and Disciplines
This year marks the first time students from Howard University’s Chadwick A. Boseman College of Fine Arts and Morgan State University’s Musical Theatre Division have collaborated on a production. The dialect and vocal coaching for Dream on Monkey Mountain was led by Phyllis Yvonne Stickney, with dramaturgical support from Dr. Nina Angela Mercer and student dramaturg Adeola Okewole. This interdisciplinary approach enriches the learning experience and fosters a sense of community.
Reviving Overlooked Voices: A Growing Repertoire
STC’s efforts extend beyond Dream on Monkey Mountain. The program has previously featured staged readings of Wole Soyinka’s Death and the King’s Horseman, Paule Marshall’s Brown Girl, Brownstones (the first time Marshall’s work was staged), Suzan-Lori Parks’ In the Blood, and Ama Ata Aidoo’s The Dilemma of a Ghost. These productions highlight the wealth of dramatic literature by playwrights of color that have historically been overlooked.
Professional Mentorship: Learning from Industry Leaders
Students benefit from interactions with established professionals like Keith David, Harriett D. Foy, Edwina Findley, and Hill Harper. These mentorship opportunities provide invaluable insights into the realities of a career in the performing arts.
The Future of Inclusive Theatre
The STC’s program exemplifies a growing trend in the theatre world: a commitment to diversifying the classical canon and creating opportunities for artists from underrepresented backgrounds. This approach not only enriches the theatrical experience for audiences but as well ensures the sustainability of the art form by attracting a wider range of talent.
FAQ
Q: What is the purpose of STC’s dramaturgical program?
A: The program aims to expand the classical canon by exploring and staging plays by playwrights of color, even as also providing educational and performance opportunities for students from HBCUs.
Q: Which HBCUs are involved in the program?
A: Currently, the program involves students from Howard University’s Chadwick A. Boseman College of Fine Arts and Morgan State University’s Musical Theatre Division.
Q: What is Dream on Monkey Mountain about?
A: It’s an allegorical play by Derek Walcott that explores themes of colonialism, religion, class, and identity through the dream of a self-loathing, imprisoned man in the West Indies.
Q: Is the staged reading of Dream on Monkey Mountain open to the public?
A: Yes, the reading on Monday, March 2, 2026, at 7 pm at the Klein Theatre is a free event.
Did you know? Howard University’s Chadwick A. Boseman College of Fine Arts was honored with the inaugural Phoenix Award by the Shakespeare Theatre Company in 2021.
Learn more about the event and STC’s work at Shakespeare Theatre Company.
