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Florim Transforms Volcanic Lava Stone into Sustainable Interior Tiles

by Chief Editor June 22, 2026
written by Chief Editor

The SensiEtna collection, a partnership between ceramic manufacturer Florim and material specialists Nerosicilia, utilizes recycled lava stone from Mount Etna to create modular architectural tiles. Designed by Matteo Thun and Benedetto Fasciana, the series repurposes slab offcuts and salvaged monitor glass to minimize manufacturing waste, offering a circular design solution that emphasizes tactile mineral textures and volcanic-inspired color palettes.

How Circular Design Transforms Industrial Waste

Circular design in architecture focuses on eliminating waste by reintegrating byproduct materials into the production cycle. According to Florim, the SensiEtna series specifically targets the reduction of manufacturing footprints by utilizing smaller modular formats—10×40, 10×10, and 20×20 cm—to repurpose offcuts that would otherwise be discarded during the processing of larger volcanic stone slabs. By blending this native Sicilian material with recycled monitor glass, the manufacturers convert industrial byproducts into high-performance architectural surfaces.

Pro Tip: When specifying recycled stone for interior projects, check for the material’s porosity. The SensiEtna collection features three distinct finishes—bugnato, crosta, and rigatino—each designed to balance aesthetic texture with functional durability.

What Defines the Aesthetic of Volcanic Architecture?

The visual identity of SensiEtna draws directly from the geological phases of Mount Etna. Matteo Thun and Benedetto Fasciana developed a color palette that mimics the thermal lifecycle of lava, according to project documentation. White and ivory tones represent high-temperature molten rock, while charcoal and black shades signify solidified basalt. The inclusion of recycled glass elements creates a reflective surface, adding depth to the otherwise matte, porous nature of the volcanic stone.

What Defines the Aesthetic of Volcanic Architecture?

Did you know?

Volcanic stone, or basalt, is increasingly sought after in sustainable design because it is a naturally abundant, non-toxic material that requires no chemical treatments to maintain its structural integrity.

Why Modular Formats Are Shaping Modern Interiors

Small-format tiling is gaining traction as a design trend because it allows for intricate, rhythmic patterns that larger slabs cannot achieve. The SensiEtna collection uses these modular sizes to emphasize the “precious, fragmented nature” of the recycled stone, as noted by the design team. This shift toward smaller, intentional modularity marks a departure from the industry’s previous reliance on expansive, uniform surfaces, moving instead toward textures that invite physical interaction.

Frequently Asked Questions

Is recycled volcanic stone as durable as standard ceramic tile?

Yes. Because the base material is natural lava stone, it maintains high levels of density and thermal resistance, often outperforming synthetic alternatives in high-traffic interior applications.

Is recycled volcanic stone as durable as standard ceramic tile?

How does the use of recycled monitor glass affect tile quality?

The glass acts as a surface decoration that enhances light reflection. When fused with the volcanic stone, it creates a durable, non-porous finish that improves the material’s ease of maintenance.

Are these tiles suitable for outdoor use?

While the SensiEtna collection is engineered for modern interiors, the inherent weather resistance of volcanic stone makes it a candidate for various architectural applications. Consult the technical specifications provided by Florim for specific load-bearing and exterior exposure ratings.


Are you incorporating circular materials into your next design project? Share your thoughts in the comments below or subscribe to our newsletter for more updates on sustainable architectural innovations.

June 22, 2026 0 comments
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Entertainment

29,000 Bricks: The Saudi Arabia Pavilion at Venice Biennale

by Chief Editor June 8, 2026
written by Chief Editor

At the 61st Venice Biennale, running from May 9 to November 22, 2026, artist Dana Awartani represents Saudi Arabia with the installation May your tears never dry, you who weep over stones. Commissioned by the Ministry of Culture’s Visual Arts Commission and curated by Antonia Carver, the work features over 29,000 hand-crafted clay bricks arranged in a vast, earthen mosaic landscape.

How is craft being redefined as a living archive?

Dana Awartani’s approach challenges the traditional view of art as a static object. According to the Visual Arts Commission, the installation functions as a “living system of knowledge transmission.” By collaborating with master artisans over nearly 30,000 hours, Awartani treats the act of making as a form of cultural infrastructure. This shift prioritizes the network of expertise—the “many hands”—over the final display, ensuring that generational knowledge survives through practice rather than just preservation in museums.

View this post on Instagram about Dana Awartani, Visual Arts Commission
From Instagram — related to Dana Awartani, Visual Arts Commission
Pro Tip: Look for the “material fragility” in contemporary art. Awartani’s choice to assemble bricks without binding agents means the installation evolves, cracks, and changes throughout the Biennale, serving as a physical metaphor for the vulnerability of historical sites.

Why do ancient mosaic traditions matter today?

The installation draws directly from mosaic traditions across Palestine, Lebanon, and Syria. As noted by the Lisson Gallery, the work references 23 locations of historical significance that face threats from man-made conflict and violence. By mapping these shared motifs across the pavilion floor, Awartani illustrates how artistic traditions transcend modern borders. The project research highlights sites recognized by organizations like UNESCO and the World Monuments Fund, framing the pavilion as an “imagined archaeological site” that connects three millennia of shared cultural history.

What happens when art meets climate and geography?

The materiality of the installation is deeply rooted in the landscape of Saudi Arabia. The work utilizes four different types of clay earth sourced from distinct regions within the country. According to project documentation, this geographic specificity anchors the work in local soil, while the lack of binding agents ensures the piece remains susceptible to environmental change. This is a deliberate choice: as the material dries and inevitably cracks, it offers a visceral meditation on the loss of heritage caused by neglect and erasure.

WUF13 | Saudi Pavilion 2026 | Day 5 (Last Day)

Frequently Asked Questions

  • Where is the Saudi Arabia Pavilion located? The pavilion is situated in the Arsenale, Sale d’Armi, Venice, Italy.
  • Who curated the exhibition? The exhibition is curated by Antonia Carver, with assistant curator Hafsa Alkhudairi.
  • What is the primary theme of Awartani’s work? The work centers on the continuity of cultural heritage, the complexity of craft, and the preservation of sites under threat from conflict.
  • How long did it take to create the installation? The project involved nearly 30,000 hours of artisanal labor.

Did you know?

Dana Awartani’s research for this project specifically references archaeological sites such as caravansaries and necropolises, emphasizing that the “stones” of history hold immeasurable cultural value that requires active, collective care to survive.

Frequently Asked Questions

Want to stay updated on the latest in contemporary art and cultural preservation? Subscribe to our newsletter for deep dives into upcoming exhibitions and artist profiles.

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June 8, 2026 0 comments
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