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Entertainment

Inside ‘The Three Urns’ – Stars and filmmakers heap praise on Donegal

by Chief Editor March 26, 2026
written by Chief Editor

Donegal’s Rising Star Power: How Location Shooting is Transforming Irish Film & Tourism

The rolling hills and dramatic coastlines of Donegal are taking center stage, not just in the new film The Three Urns, but as a burgeoning hub for film production and a magnet for screen tourism. The recent shoot, utilizing over 40 locations across the county, highlights a growing trend: filmmakers are increasingly recognizing the value – both aesthetic and logistical – of filming in Ireland’s northwest.

A Warm Welcome and a Cinematic Landscape

The Three Urns, starring Ciarán Hinds, Olga Kurylenko and Stephen Dillane, isn’t just set in Donegal; it’s deeply shaped by it. Director John-Paul Davidson emphasized the importance of the landscape, stating it became “a metaphor for what Mr O’Connor is experiencing.” This sentiment echoes a broader industry shift towards location-driven storytelling, where the environment isn’t merely a backdrop but an active character.

The positive experience of the cast and crew, who based themselves in Ramelton, speaks volumes. Hinds noted the welcoming nature of the local community, a crucial factor for productions seeking a smooth and collaborative filming process. This hospitality, combined with the county’s diverse scenery – from Glenveagh Castle to the Beltany Stone Circle and Doe Castle – offers filmmakers a unique palette to work with.

The Economic Impact of Screen Tourism

The film’s release on April 17th, in cinemas including Century Letterkenny and Eclipse Cinemas Bundoran and Lifford, is expected to generate a significant boost to the local economy. This is thanks to the phenomenon of “screen tourism,” where viewers are inspired to visit locations featured in their favorite films and TV shows.

Donegal Film Office played a vital role in facilitating the production, demonstrating the county’s commitment to attracting and supporting film projects. This proactive approach is paying dividends, positioning Donegal as a viable alternative to more established filming locations.

Personal Connections and Artistic Resonance

Beyond the practical benefits, Donegal holds a personal significance for some involved in The Three Urns. Director Davidson revealed that the location where Mr. O’Connor scatters his wife’s ashes is the same place where he scattered the ashes of his parents, adding a layer of emotional depth to the project. This illustrates how a location can become intrinsically linked to the creative vision of a film.

A Glimpse into the Future of Irish Film

The success of The Three Urns could pave the way for more productions to choose Donegal as a filming location. The county’s wild beauty, coupled with its welcoming community and growing infrastructure, presents a compelling proposition for filmmakers seeking authenticity and a unique cinematic landscape. The film’s emphasis on hospitality and the warmth of the Irish people is also likely to resonate with audiences worldwide, further enhancing Donegal’s appeal.

Richard Kendrick, the film’s director of photography, highlighted the scope of locations available in Donegal, noting the challenges of managing outdoor shoots in changeable weather but ultimately praising the county’s overall suitability.

Frequently Asked Questions

  • What film was recently shot in Donegal? The Three Urns, starring Ciarán Hinds, Olga Kurylenko, and Stephen Dillane, was filmed in over 40 locations throughout Donegal.
  • When is The Three Urns released? The film is released nationwide on April 17th.
  • What locations in Donegal were used for filming? Glenveagh Castle, Beltany Stone Circle, Grianán of Aileach, and Doe Castle were among the prominent locations featured in the film.
  • Who directed The Three Urns? John-Paul Davidson and Stephen Warbeck co-directed the film.

Did you realize? The Beltany Stones in Raphoe were so captivating to the filmmakers that they were specifically written into the script as a pivotal moment in the story.

Pro Tip: For filmmakers considering Donegal, engaging with the Donegal Film Office early in the planning process is crucial for navigating permits, logistics, and local resources.

What are your thoughts on Donegal as a filming location? Share your comments below!

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March 26, 2026 0 comments
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Entertainment

Jessie Buckley, Ciarán Hinds and Cork drama Christy take prizes – The Irish Times

by Chief Editor February 21, 2026
written by Chief Editor

Jessie Buckley’s IFTA Triumph Signals a Golden Age for Irish Talent

Jessie Buckley’s win for Best Actress at the Irish Film & Television Academy (IFTA) Awards on Friday night, for her role in Hamnet, isn’t just a personal victory – it’s a powerful indicator of the flourishing Irish film and television scene. The awards, held at the Dublin Convention Centre, highlighted a night of success for Irish creatives both at home and abroad.

A Night of Recognition for Hamnet and Christy

Buckley’s performance as Agnes Shakespeare in Hamnet resonated deeply, earning her the coveted IFTA award. The film itself likewise secured wins for International Film, Best Screenplay, and Best Supporting Actor for Paul Mescal, despite his absence from the ceremony. Brendan Canty’s Christy dominated the awards, taking home Best Film, Best Director, Best Editing, and Best Casting. This success follows a major prize win at the Berlin International Film Festival last year, cementing its status as a critical darling.

Lifetime Achievement and Rising Stars

The IFTAs also celebrated veteran talent and emerging stars. Ciarán Hinds received a Lifetime Achievement Award, acknowledging his extensive and impactful career. Louisa Harland was named IFTA Rising Star, signaling a bright future for the young actor.

The Growing International Appeal of Irish Storytelling

The success of films like Hamnet and Christy, alongside the international recognition of actors like Jessie Buckley, Paul Mescal, and Saoirse Ronan, points to a significant trend: Irish storytelling is captivating global audiences. This isn’t simply about actors finding work in Hollywood; it’s about Irish-produced films and television shows gaining prominence on the world stage.

The Impact of Streaming Services

The rise of streaming services like Netflix, exemplified by the IFTA win for House of Guinness, has played a crucial role. These platforms provide increased opportunities for Irish productions to reach wider audiences, bypassing traditional distribution barriers. This increased visibility attracts investment and fosters further creative development.

A Focus on Authentic Irish Voices

Christy’s success is particularly noteworthy. The film’s focus on community and its roots in Cork resonated with both Irish and international audiences. This suggests a growing appetite for authentic Irish stories, told from a uniquely Irish perspective. Steve Coogan, recently securing Irish citizenship, highlighted this, noting the appeal of projects exploring Irish culture and history.

Looking Ahead: What’s Next for Irish Film and Television?

The current momentum suggests a continued golden age for Irish film and television. Several factors will likely shape its future trajectory.

Increased Investment in Local Production

Continued government support and private investment will be vital. Funding initiatives and tax incentives can encourage more Irish-led productions and attract international co-productions.

Development of New Talent

Nurturing emerging talent, like IFTA Rising Star Louisa Harland, is crucial. Mentorship programs, film schools, and opportunities for early-career filmmakers will ensure a sustainable pipeline of creative professionals.

Embracing Diverse Storytelling

Expanding the range of stories told is essential. Exploring diverse perspectives, genres, and themes will broaden the appeal of Irish content and attract new audiences.

The Role of Technology

Advancements in filmmaking technology, including virtual production and post-production techniques, will empower Irish filmmakers to create high-quality content with greater efficiency.

IFTA Awards 2026: Full List of Winners

  • LIFETIME ACHIEVEMENT AWARD: Ciarán Hinds
  • SCREEN IRELAND – IFTA RISING STAR: Louisa Harland
  • BEST FILM: Christy
  • DIRECTOR – FILM: Brendan Canty – Christy
  • SCRIPT – FILM: Maggie O’Farrell, Chloé Zhao – Hamnet
  • LEAD ACTOR – FILM: Éanna Hardwicke – Saipan
  • LEAD ACTRESS – FILM: Jessie Buckley – Hamnet
  • SUPPORTING ACTOR – FILM: Paul Mescal – Hamnet
  • SUPPORTING ACTRESS – FILM: Kerry Condon – F1
  • BEST DRAMA: Blue Lights
  • DIRECTOR – DRAMA: Rachel Carey – Obituary
  • SCRIPT – DRAMA: Ailbhe Keogan – Trespasses
  • LEAD ACTOR – DRAMA: Anthony Boyle – House of Guinness
  • LEAD ACTRESS – DRAMA: Lola Petticrew – Trespasses
  • SUPPORTING ACTOR – DRAMA: Chris Walley – The Young Offenders
  • SUPPORTING ACTRESS – DRAMA: Alison Oliver – Task
  • BEST INTERNATIONAL FILM: Hamnet
  • BEST INTERNATIONAL ACTOR: Leonardo DiCaprio – One Battle After Another
  • BEST INTERNATIONAL ACTRESS: Emma Stone – Bugonia
  • GEORGE MORRISON FEATURE DOCUMENTARY: A Want in Her
  • Redbreast Unhidden SHORT FILM: Nostalgie
  • ANIMATED SHORT FILM: Retirement Plan
  • CASTING: Christy – Amy Rowan
  • CINEMATOGRAPHY: Die My Love – Seamus McGarvey
  • COSTUME DESIGN: Blue Moon – Consolata Boyle
  • PRODUCTION DESIGN: Wednesday – Philip Murphy, Neville Gaynor
  • MAKEUP & HAIR: Trespasses – Natalie Reid
  • SOUND: Anemone – Steve Fanagan, Stevie Haywood
  • ORIGINAL MUSIC: Báite – Eimear Noone, Craig Stuart Garfinkle
  • EDITING: Christy – Allyn Quigley
  • VFX: House of Guinness – Eoin O’Sullivan, David Sewell

FAQ

Q: What is the IFTA?
A: The Irish Film & Television Academy is Ireland’s national body for the film and television industry.

Q: Who won Best Film at the IFTA Awards 2026?
A: Christy won Best Film.

Q: Who received the Lifetime Achievement Award?
A: Ciarán Hinds received the Lifetime Achievement Award.

Q: What role did Jessie Buckley win for?
A: Jessie Buckley won Best Actress for her role in Hamnet.

Did you know? Jessie Buckley is now a strong favorite to win the Best Actress award at the British Academy Film Awards (BAFTAs) this Sunday.

Explore more articles on Irish film and television here. Subscribe to our newsletter for the latest industry news and insights!

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February 21, 2026 0 comments
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Entertainment

Top two films scoop 26 nominations as Steve Coogan goes up against Daniel Day-Lewis – The Irish Times

by Chief Editor January 20, 2026
written by Chief Editor

Irish Film & TV Awards 2026: A Glimpse into the Future of Irish Storytelling

The recent IFTA nominations reveal more than just a list of contenders; they paint a picture of evolving trends in Irish film and television. From gritty social realism to sweeping international epics, and a surge in genre content, the landscape is shifting. This year’s nominees, particularly the strong showing for films like Christy and Saipan, alongside internationally co-produced projects, signal a growing confidence and ambition within the Irish creative industries.

The Rise of Hyperlocal Storytelling

Christy’s success, rooted in its authentic portrayal of life in North Cork, exemplifies a trend towards hyperlocal storytelling. Audiences are increasingly drawn to narratives that feel deeply connected to a specific place and community. This isn’t just about location; it’s about capturing the nuances of regional dialects, customs, and social dynamics. This mirrors a global trend – think of the success of shows like Ted Lasso (rooted in a specific, optimistic vision of small-town America) or the popularity of regional crime dramas like those from Scandinavia.

Pro Tip: Authenticity is key. Audiences can spot a contrived portrayal of a place a mile away. Invest in research, collaborate with local communities, and prioritize genuine representation.

Genre Bending and International Co-Productions

The nominations also highlight a willingness to experiment with genre. Sinners, a Celtic vampire thriller, and Wednesday, a comedy-horror series filmed in Ireland, demonstrate a growing appetite for content that blends familiar tropes with unique cultural elements. This is crucial for attracting international audiences and securing co-production deals. Ireland’s Section 481 tax credit continues to be a major draw for international productions, fostering collaborations that elevate the quality and reach of Irish filmmaking. According to Screen Ireland, investment in film and TV production reached a record €226 million in 2023, largely driven by co-productions.

The Star Power Effect: Attracting and Developing Talent

The presence of established international stars like Steve Coogan, Colin Farrell, and Cillian Murphy alongside rising talents like Jessie Buckley and Daniel Power is significant. This demonstrates Ireland’s ability to attract – and nurture – world-class acting talent. The IFTA nominations for both established and emerging actors underscore the importance of investing in acting schools and providing opportunities for new voices to be heard. The success of actors like Paul Mescal, who rose to prominence through Irish productions, serves as a powerful incentive for aspiring performers.

Documentary Filmmaking: A Growing Voice

The strong lineup of documentary nominees, including titles like A Want in Her and Útoipe Cheilteach, indicates a flourishing documentary scene in Ireland. Documentary filmmaking is becoming increasingly sophisticated, tackling complex social and political issues with nuance and artistry. The accessibility of filmmaking technology and the growing demand for non-fiction content are driving this trend. Platforms like Netflix and HBO Max are actively seeking compelling documentaries, creating new opportunities for Irish filmmakers.

The Future of Irish Drama: Blurring Lines Between TV and Film

The simultaneous nomination of film and television dramas reflects a blurring of lines between the two mediums. High-budget TV series are now often produced with the same level of cinematic quality as feature films. Shows like Blue Lights and The Walsh Sisters demonstrate Ireland’s ability to create compelling, character-driven dramas that resonate with both domestic and international audiences. This trend is likely to continue, with streaming services playing an increasingly important role in funding and distributing Irish content.

FAQ: The Irish Film & TV Landscape

What is Section 481?

Section 481 is an Irish tax credit designed to incentivize investment in film, television, and animation production. It offers a significant tax break to both Irish and international productions filming in Ireland.

How important are co-productions to the Irish film industry?

Co-productions are vital. They bring in much-needed funding, expertise, and international distribution networks, allowing Irish filmmakers to reach wider audiences.

What are the biggest challenges facing the Irish film industry?

Funding remains a key challenge, as does the need to develop a more diverse and inclusive workforce. Competition from other international production hubs is also increasing.

Did you know? Ireland has a long and rich history of storytelling, dating back to the ancient Celtic tradition. This cultural heritage continues to inspire contemporary Irish filmmakers and television producers.

The IFTA nominations are a testament to the creativity, resilience, and ambition of the Irish film and television industry. As the industry continues to evolve, it is poised to play an increasingly important role on the global stage. The focus on authentic storytelling, genre innovation, and international collaboration will be key to its continued success.

Want to learn more about Irish film and television? Explore our archive of reviews and interviews here. Don’t forget to subscribe to our newsletter for the latest updates and insights!

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January 20, 2026 0 comments
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Entertainment

An Immersive Story Of Wartime Trauma

by Chief Editor February 15, 2025
written by Chief Editor

Exploring Trauma and Healing Through Modern Storytelling

With the power of cinema and literature, themes of trauma and recovery have become focal points in contemporary art. Works like The Narrow Road to the Deep North not only recount historical events but also delve deeply into the personal struggles of those affected long after the incident has passed.

The Power of Narrative in Addressing Trauma

Richard Flanagan’s acclaimed novel shows how personal narratives can uncover layers of experiences that statistics alone can’t convey. Modern storytelling is evolving to give voices to those silenced by trauma, emphasizing the complexities of healing. Such narratives provide a platform for survivors to share their stories, fostering a collective understanding and empathy.

Real-life examples abound, such as the implementation of therapeutic storytelling programs in veterans’ associations, where narrative therapy helps individuals combat PTSD by processing traumatic memories creatively and safely.

Bridging Timeframes: A Cinematic Technique

Adopting dual timelines in stories, as seen in The Narrow Road to the Deep North, is becoming a way to reflect on the past while connecting with present-day sensibilities. This technique allows filmmakers to illustrate the long-term impact of historical events on individuals, offering audiences a multi-dimensional perspective on personal growth and unresolved trauma.

Recent data from film studies indicate an increasing number of films using this approach, highlighting its effectiveness in engaging audiences with complex narratives like historical trauma intricately woven into modern settings.

Color and Sound: Tools for Emotional Storytelling

The use of muted color palettes and evocative soundtracks, like in Justin Kurzel’s direction, can enhance the portrayal of internal struggles. Muted visual tones and immersive sound design effectively convey the enigmatic aspects of memory and suffering, crucial in communicating unspoken emotions.

Dr. Emily Brown, a professor of film studies, notes that these sensory elements intensify viewer empathy, making them resonate more deeply with the characters’ experiences.

Filmmaker Challenges and Triumphs

Creating content that balances historical accuracy with a deep emotional core presents a unique challenge to filmmakers. The seamless narrative transitions between different timelines require meticulous scripting and editing to maintain narrative coherence, a skill that is increasingly valued in modern cinema.

Data from industry reports reveal that films adept at handling such complexities often perform well not just in terms of audience ratings but also in academic discourse, indicating their lasting impact.

Future Trends in Film and Literature

The exploration of unspoken suffering is likely to continue being a significant trend as creators seek to unpack the impacts of global historical events on individuals. With increased access to international platforms, more diverse stories are emerging, broadening the spectrum of trauma narratives in media.

Statistics show a rising interest in global storytelling platforms, suggesting an expanding audience for content that explores diverse historical perspectives and their contemporary implications.

FAQs

How does storytelling help with trauma?

Telling stories allows individuals to process and articulate their experiences, providing a sense of control and understanding which is crucial for healing.

What makes dual timelines effective in storytelling?

Dual timelines provide a richer context and allow for a deeper exploration of character development and the long-term impact of events, making narratives more engaging and relatable.

Did you know? Incorporating narrative elements into therapy, known as narrative therapy, has proven effective for numerous mental health conditions, helping clients reframe their experiences and perspectives on their traumas.

The Call to Action

Engage with more stories that capture the complexities of trauma and healing by exploring our curated selection. Join the conversation by commenting below or subscribing to our newsletter for insights into the stories shaping our understanding of historical and personal resilience.

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February 15, 2025 0 comments
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