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DAS Audio Unveils MIA Series at InfoComm

by Chief Editor June 17, 2026
written by Chief Editor

DAS Audio has launched its new MIA Series of installation loudspeakers, a seven-model lineup designed for corporate, hospitality, and house of worship environments. According to the company, the series features coaxial point source technology and ultra-low-profile subwoofers, aiming to provide integrators with increased deployment flexibility. The manufacturer is debuting the products at InfoComm, marking its 55th anniversary in the professional audio industry.

What defines the new MIA Series architecture?

The MIA Series consists of five full-range coaxial point source loudspeakers and two band-pass subwoofers. According to DAS Audio, the series offers a streamlined design intended to simplify installation in varied acoustic spaces. The full-range models range from the 5-inch MIA-X5 to the 12-inch MIA-X12, with the larger X10 and X12 units featuring rotatable horn options to adjust coverage patterns to 70° x 50° or 110° x 60°.

What defines the new MIA Series architecture?
Did you know? Coaxial drivers place the high-frequency tweeter in the center of the low-frequency woofer, which helps maintain consistent phase alignment and coverage across the listening area.

How does the MIA Series compare to existing DAS Audio lines?

While the MIA Series targets fixed installations, DAS Audio continues to support its portable and touring market segments with the EVENT-30A line array and EVENT-S218A subwoofer. The EVENT series, which received Mix Best of Show honors earlier this year, occupies a different technical tier than the MIA installation-focused gear. Michael Palmer, vice president of Sales for North America, stated that the MIA line was developed specifically to give integrators more choices while maintaining the company’s historical standards for performance and reliability.

MIA Series Model Breakdown

  • MIA-X5: 5-inch coaxial, 120° coverage
  • MIA-X6: 6-inch coaxial, 120° coverage
  • MIA-X8: 8-inch coaxial, 110° coverage
  • MIA-X10: 10-inch coaxial, rotatable horn options
  • MIA-X12: 12-inch coaxial, rotatable horn options
  • MIA-S110: 10-inch ultra-low-profile subwoofer
  • MIA-S115: 15-inch ultra-low-profile subwoofer

Where can attendees demo the new technology?

DAS Audio is hosting live demonstrations of the MIA Series at InfoComm in Audio Demo Room N114. According to company representatives, the booth space at N6437 will also feature the product line alongside the previously released EVENT series hardware. These demonstrations serve as the primary opportunity for integrators to evaluate the sonic performance of the new coaxial drivers in a controlled environment.

DAS Audio EVENT-30 & MIA @ ISE 2026
Pro Tip: When testing installation speakers at trade shows, pay close attention to the off-axis response. A well-designed coaxial driver—like those in the MIA series—should maintain tonal consistency even as you walk toward the edges of the speaker’s coverage pattern.

Frequently Asked Questions

What is the primary application for the MIA Series?
The series is designed for fixed installation environments, including corporate boardrooms, hospitality venues, and houses of worship.

Are the horns on the MIA-X10 and MIA-X12 fixed?
No, these models feature rotatable horns that allow installers to switch between 70° x 50° and 110° x 60° coverage patterns.

Where can I find technical specifications for these models?
Detailed specifications are available through the official DAS Audio website or at the company’s booth during industry trade events.


Stay up to date with the latest professional audio developments. Subscribe to Mix magazine for more industry news and technical deep dives.

June 17, 2026 0 comments
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Entertainment

Tavares Strachan: A Comprehensive Look at His Encyclopedic Art

by Chief Editor June 5, 2026
written by Chief Editor

Rewriting History: How Conceptual Art Challenges Our Collective Memory

In an era of digital saturation, the act of archiving has become a radical pursuit. Artists like Tavares Strachan are leading a movement that treats the encyclopedia—once the ultimate authority of knowledge—as a malleable, sculptural medium. By filling the gaps left by traditional gatekeepers, these creators are forcing us to confront the narratives we’ve been told and, more importantly, the ones we’ve been denied.

View this post on Instagram about Tavares Strachan, Encyclopedia Britannica
From Instagram — related to Tavares Strachan, Encyclopedia Britannica

Strachan’s 2018 encyclopedia project, a 2,400-page volume featuring 15,000 entries omitted from Encyclopedia Britannica, serves as a blueprint for the future of cultural documentation. As we move toward a more inclusive understanding of history, the trend is shifting from passive consumption of “official” records to a proactive, artist-led excavation of marginalized truths.

Beyond the Gallery: Where Art Meets Scientific Inquiry

The intersection of art, science, and space exploration is no longer a niche interest; it is becoming a cornerstone of contemporary practice. Strachan’s founding of the Bahamas Aerospace and Sea Exploration Center (BASEC) demonstrates that artists are increasingly stepping into roles traditionally reserved for academics and researchers.

Pro Tip: Look for the “Artist-as-Researcher” trend to influence future museum acquisitions. Institutions are increasingly valuing projects that combine aesthetic production with tangible scientific contributions or community-based field research.

By launching a 3U satellite to honor figures like Robert Henry Lawrence Jr.—the first African-American astronaut—Strachan isn’t just making a statement; he is creating a new archival method. He is using the vacuum of space to ensure that stories of historical erasure remain permanently visible in the orbit of human consciousness.

The Future of Archival Art: Digital and Physical Synthesis

As we look toward the next decade, the “book” will continue to evolve as a hybrid object. It is no longer just paper and ink; it is a bridge between the spiritual experience of holding physical media and the vast, interconnected nature of digital information. The release of Strachan’s first monograph by Phaidon highlights a growing demand for deep-dive, comprehensive documentation of conceptual practices.

Tavares Strachan, Interdisciplinary Conceptual Artist | 2022 MacArthur Fellow

This trend suggests a future where:

  • Physical Archives will be designed as interactive, sculptural installations.
  • Digital Databases will become “living” documents that evolve with community contributions.
  • Collaborative Research between artists and aerospace or environmental agencies will become standard for large-scale installations.

Did You Know?

Conceptual art that utilizes “inverse” archiving—documenting what is missing rather than what is present—can significantly increase public engagement with historical archives by making the process of “discovery” feel personal and urgent.

Frequently Asked Questions (FAQ)

What is conceptual art?
Conceptual art is a movement where the idea or “concept” behind the work is more important than the finished art object itself.

Why is “historical erasure” a common theme in modern art?
Artists are increasingly using their platforms to highlight figures and events that were intentionally or accidentally left out of mainstream history books, providing a more balanced view of our shared past.

How can I support independent arts publishing?
Supporting platforms like Colossal, purchasing monographs directly from publishers, and visiting local galleries are the best ways to ensure independent art journalism continues to thrive.


What do you think? As our collective history becomes more digital, are we losing the “truth” found in physical archives, or are we gaining a more diverse narrative? Share your thoughts in the comments below or subscribe to our newsletter for deep dives into the future of contemporary art.

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June 5, 2026 0 comments
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