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CARTONI e-JibO: Ready for Live AR and VR Production

by Chief Editor June 26, 2026
written by Chief Editor

Italian manufacturer CARTONI has released the e-JibO, a portable, encoded jib system designed to bring augmented reality (AR) and virtual production (VR) capabilities to mid-sized broadcast operations. According to the company, the system offers 22-bit absolute encoder tracking on pan and elevation axes for approximately €11,000, with complete virtual production setups—including cameras and software—available for under €50,000.

How does the e-JibO lower the barrier for virtual production?

Virtual production has historically required high-end motion control rigs that can cost well into the six figures. By integrating 22-bit absolute encoders directly into its existing JibO design, CARTONI allows operators to transmit precise positional metadata to graphics engines without requiring external calibration. According to technical specifications provided by the manufacturer, the system utilizes the BiSS-C protocol via Lemo connectors to communicate with third-party software. This open-architecture approach allows users to integrate the jib with existing hardware, such as the Sony FR7 PTZ camera, to create a four-axis tracked virtual environment.

Pro Tip: When integrating tracked jibs, prioritize cable management. Even with high-end encoders, a snagged data cable during a live broadcast can cause the virtual background to “drift” or jitter relative to the physical foreground.

What are the physical capabilities of the e-JibO?

The e-JibO is built from aluminum and weighs 15 kg, designed for portability in fast-paced production environments. According to official product data, the unit folds to 122 cm for transport and extends to a maximum height of 2 meters. It supports a payload capacity of 20 kg and accommodates 75mm, 100mm, or Mitchell flat base heads. The system operates in temperatures ranging from -15°C to +60°C, making it suitable for both indoor studios and outdoor sports broadcasts.

What are the physical capabilities of the e-JibO?

Who benefits most from encoded jib technology?

The system targets regional broadcasters, university media departments, and houses of worship that previously found virtual production cost-prohibitive. Unlike proprietary closed-loop systems, the e-JibO functions as a tool for operators already familiar with traditional jib movement. By adding an “encoder layer” to a familiar physical tool, CARTONI aims to minimize the learning curve for DPs. According to reports from CineD, the system is designed to be assembled in under three minutes, allowing smaller crews to deploy complex AR graphics without dedicated motion-control technicians.

Did you know? The 22-bit resolution found in the e-JibO is identical to the resolution CARTONI uses in its high-end, cinema-grade encoded heads. This ensures that the positional data is precise enough for high-fidelity virtual object insertion.

Comparison: Traditional vs. Modern Virtual Production

Feature Traditional Virtual Studio e-JibO System
Complexity High (requires calibration) Low (no calibration)
Estimated Cost €150,000+ ~€50,000
Flexibility Fixed, heavy rigs Portable/Modular

Frequently Asked Questions

Does the e-JibO require calibration before use?

No. According to CARTONI, the use of 22-bit absolute encoders removes the need for calibration, as the system tracks position relative to its axes immediately upon power-up.

CARTONI e-JibO is ready for live AR and VR

Is the system compatible with all virtual graphics engines?

The e-JibO uses the standard BiSS-C protocol for data output. This open architecture allows it to connect to any system capable of interpreting standard positional metadata via Lemo connectors.

What is the maximum reach of the e-JibO?

The jib extends to a maximum height of 172 cm from its base, allowing for a lens height of up to 2 meters depending on the tripod and head configuration.


Are you looking to integrate live AR graphics into your next project? Let us know your thoughts on the transition to affordable virtual production in the comments section below, or subscribe to our newsletter for the latest updates on broadcast hardware trends.

June 26, 2026 0 comments
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