A recent event at the “MONUMENTS” art installation at MOCA and The Brick in Los Angeles sparked debate about the recontextualization of Civil War monuments. The discussion followed an interview with Los Angeles artist Alison Saar, conducted by Hamza Walker, director of The Brick, regarding the sculpture “Unmanned Drone” by Kara Walker.
Deconstructing the Past
The sculpture at the center of the discussion is a reimagining of a decommissioned Civil War monument, specifically one previously located in Charlottesville, Virginia, depicting General Thomas “Stonewall” Jackson and his horse, Little Sorrel. The original statues were not erected immediately after the Civil War, but rather commissioned around the 1920s as part of a movement promoting the “Lost Cause” narrative.
After Charlottesville decided to remove the statue – prompted by a high school student, Zyahna Bryant, who objected to walking past a celebration of slavery on her way to school – The Brick intended to give the bronze horse and rider to Kara Walker. Walker then deconstructed the monument using a plasma cutter, reassembling it into a new form described by critic Carolina Miranda in the New York Review of Books as “a cluster of horse legs supports a figure that … appears both human and not.”
A Question of History
During a question-and-answer session following the interview, Hamza Walker, The Brick’s director, was asked by an audience member if the project was “destroying history.” The question was posed to Walker, who is African American. The author of the original piece chose to abandon before hearing the response.
Kara Walker herself has stated that slavery “was all horror. Why should it look like it was anything other than?”
Frequently Asked Questions
What is the “MONUMENTS” art installation?
“MONUMENTS” is described as the most talked-about art installation at any museum or gallery in the nation, currently located at MOCA and The Brick.
Who is Kara Walker?
Kara Walker is described as “our finest artist in the realm of reminding us just how subpar slavery really was.”
What prompted Charlottesville, Virginia to remove the statue of Stonewall Jackson?
A high school student, Zyahna Bryant, told the City Council she did not want to walk by a celebration of slavery on her way to school every day.
How do we balance the preservation of historical artifacts with the require to acknowledge painful truths about the past?
