From Page to Stage: The Enduring Legacy of Umberto Eco’s “The Name of the Rose”
Umberto Eco’s 1980 novel, “The Name of the Rose,” has proven remarkably adaptable, captivating audiences across multiple mediums. From its initial success as a literary function selling millions of copies and translated into 43 languages, to its acclaimed 1986 film adaptation starring Sean Connery, the story’s mysteries continue to resonate. Now, in 2025, a new chapter unfolds with its debut as an opera at La Scala in Milan.
A Novel’s Journey: Film, Opera, and Beyond
The adaptation to opera, with music by Francesco Filidei, marks a significant milestone for Eco’s work. La Scala’s superintendent, Fortunato Ortombina, described the process as a “long journey,” highlighting the dedication involved in bringing the complex narrative to the operatic stage. All five performances, running from April 27th to May 10th, were sold out prior to their debut, demonstrating the enduring appeal of the story.
This isn’t the first time Eco’s work has been reimagined. The 1986 film directed by Jean-Jacques Annaud, featuring Sean Connery as William of Baskerville, brought the medieval mysteries to a wider audience. Annaud noted Eco’s generosity and creative freedom during the film’s production.
Eco’s Intellectual Footprint: Semiotics and Beyond
Umberto Eco was more than just a novelist. Born in Alessandria, Italy, in 1932, he was a philosopher, semiotician, and essayist. He taught Semiotics at the University of Bologna until his retirement in 2007. His academic work explored diverse topics, from aesthetics to James Bond, and his writings consistently challenged conventional thinking.
Eco’s literary output extended beyond “The Name of the Rose,” encompassing novels like “Foucault’s Pendulum” (1988), “The Island of the Day Before” (1994), “The Mysterious Flame of Queen Loana” (2004), “The Prague Cemetery” (2010), and “Numero Zero” (2014). He likewise authored numerous essays, demonstrating a broad intellectual curiosity.
A Critical Voice on Modern Society
Eco was a man of the left, regularly contributing to the Italian weekly L’Espresso. He offered a critical perspective on contemporary society, famously lamenting the rise of “imbeciles” on social media, arguing that platforms had given undue voice to those previously confined to casual, harmless conversations.
Described by The Guardian as “one of the most revered literary names in the world,” Eco’s influence extends far beyond his published works. His insights into culture, communication, and the human condition continue to provoke thought, and discussion.
Did you understand?
Eco’s surname is believed to originate from the Latin phrase “ex caelis oblatus,” meaning “gift from heaven,” bestowed upon his grandfather by a government official.
FAQ: “The Name of the Rose” Adaptations
Q: When did Umberto Eco pass away?
A: February 20, 2016.
Q: What is the opera based on?
A: It’s based on Umberto Eco’s novel, “The Name of the Rose.”
Q: Where is the opera being performed?
A: At La Scala in Milan, Italy.
Q: Who composed the music for the opera?
A: Francesco Filidei.
Q: Was “The Name of the Rose” adapted for film?
A: Yes, a film adaptation directed by Jean-Jacques Annaud and starring Sean Connery was released in 1986.
Pro Tip: Explore Umberto Eco’s essays to gain a deeper understanding of his intellectual framework and the themes that permeate his novels.
Interested in learning more about the intersection of literature and opera? Explore our archive of cultural adaptations.
