Colorado New Play Summit helps playwrights craft their creative vision

by Chief Editor

Why the Colorado Novel Play Summit Remains a Catalyst for Innovation

The Colorado New Play Summit (CNPS) has become a “must‑see stop for new‑play development,” according to the Denver Center’s 2024 announcement. Its 20‑year legacy is built on four staged readings, two fully produced world premieres, and a backstage environment where playwrights work side‑by‑side with professional directors, actors, and dramaturgs.

Spotlight on Emerging Voices

Recent CNPS line‑ups feature playwrights such as Terence Anthony (Godspeed), Nina McConigley & Matthew Spangler (Cowboys and East Indians), Andrew Rosendorf (One‑Shot), and Vauhini Vara (Ghost Variations) – all of whom moved from workshop readings to main‑stage productions. The summit also showcases alumni like Tony Meneses, whose play The Myth of the Two Marcos returns as a full production after a successful 2022 reading.

Multilingual & Multicultural Storytelling

Plays such as The Myth of the Two Marcos incorporate Nahuatl, a living indigenous language, highlighting a growing willingness to present non‑English dialogue without full translation. As Meneses explains, this “tension” challenges audiences to stay engaged while respecting cultural authenticity.

Similarly, Influent by Isaac Gómez explores the rise of social‑media influencers, while You Should Be So Lucky situates an intergenerational family drama inside a Chinatown apartment. These works illustrate CNPS’s commitment to stories that reflect the ethnic and digital realities of contemporary America.

Audience‑Driven Development

During the two‑day event, audience members provide real‑time feedback that shapes rewrites. Meneses notes that “the humor is landing” or “the silence of a pin‑drop” are key indicators of audience connection. This iterative process turns the summit into a live laboratory for playwrights.

Future Trends Shaping New‑Play Creation

1. More Multilingual Productions on Main Stages

Given the positive response to Nahuatl in The Myth of the Two Marcos, theaters are likely to program additional works that feature Indigenous or heritage languages, trusting audiences to “lean in” rather than rely on subtitles.

2. Digital Culture as Narrative Fuel

Plays like Influent prove that the influencer economy can serve as fertile dramatic material. Expect more scripts that interrogate TikTok, Instagram, and streaming platforms, turning online personas into stage protagonists.

3. Data‑Informed Audience Engagement

The summit already gathers audience reactions during readings. Future productions may harness simple analytics—such as applause meters or post‑show surveys—to refine scripts before full productions, creating a feedback loop that mirrors tech‑startup sprint cycles.

4. Expanded Regional Collaboration

Artists from across the country travel to Denver for CNPS, and many return to stage their work at home venues. This network effect suggests a rise in co‑productions between regional theatres, spreading new works beyond a single market.

FAQ

What is the Colorado New Play Summit?
A two‑day festival that offers staged readings, full productions, and intensive workshops for emerging playwrights.
How are plays selected for the summit?
Playwrights are invited based on previous readings, regional reputation, and the festival’s focus on diverse, contemporary voices.
Can audience members influence a play’s development?
Yes—live feedback during readings helps writers like Tony Meneses refine dialogue, pacing, and thematic clarity.
Where can I find more information about upcoming summits?
Visit the Denver Center’s official announcement page or follow the “Raise the Curtain” series on CPR.

What’s Next for You?

Are you a playwright, actor, or theater lover eager to see how the next wave of stories will unfold? Share your thoughts in the comments, explore our Raise the Curtain archive, and subscribe to our newsletter for insider updates on CNPS and other groundbreaking festivals.

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