London’s cultural calendar is set to expand this October with a major examination of how we consume visuals in the digital age. Paradigm Shift, a new exhibition opening at 180 Studios, promises to map the evolution of moving image culture from the analog rebellions of the 1970s to the hyper-connected screens of today. It is a ambitious undertaking that seeks to blur the lines between high art, internet culture and the everyday media saturation that defines modern life.
Opening on Wednesday, 15 October 2025, the exhibition transforms the venue’s vast subterranean spaces into a chronological and thematic journey through video art, music video, performance, and gaming. The scope is deliberate, tracing multiple revolutions within the medium although highlighting how artists have utilized available technology to rebel against the status quo. This isn’t merely a retrospective; it includes new works commissioned specifically for the space, sitting alongside iconic historical pieces.
Curating the Screen Age
The curatorial vision is led by Mark Wadhwa and Jefferson Hack, the co-founder and CEO of Dazed. Hack’s involvement signals a specific intent to bridge the gap between institutional art and youth culture. His statement on the exhibition emphasizes the crossroads where video art has always operated: high and low, visceral and conceptual, personal and political. The goal, according to Hack, is to inspire audiences to engage with storytelling through screens differently—to feel more and recover their senses amidst digital noise.

From Warhol to Internet Culture
The artist roster reflects the exhibition’s wide-ranging thesis. Legacy figures like Andy Warhol and Nan Goldin are positioned alongside contemporary voices such as Martine Syms, Cao Fei, and Arthur Jafa. This juxtaposition allows viewers to spot the lineage of moving image function, connecting the Super 8 and VHS revolutions of the past with current digital practices.
Notable inclusions include Mark Leckey, represented by his 1999 classic Fiorucci Made Me Hardcore, a work often cited as a seminal piece in British video art. The presence of names like Ryan Trecartin and Pipilotti Rist further cements the show’s focus on artists who have pushed the technical and conceptual boundaries of the medium. The exhibition similarly acknowledges the influence of fashion and gaming, with contributions from TELFAR and works drawing from internet culture.
Inside 180 Studios’ Subterranean Space
The venue itself plays a critical role in the experience. 180 Studios, located at 180 The Strand, is known for immersive large-scale projects. For Paradigm Shift, the subterranean environment will be transformed to accommodate the technical requirements of moving image works while creating an atmospheric context for viewing. The partnership with Ray Ban Meta suggests an integration of wearable tech or enhanced viewing experiences, aligning with the exhibition’s focus on new dimensions in moving image.
As the industry continues to grapple with the impact of AI and synthetic media on visual culture, an exhibition grounded in the history of technological rebellion feels particularly timely. It offers a space to consider how past innovations inform our current relationship with the screen.
How do you think the history of video art influences the way we create content on social platforms today?








