Artist Jenny Saville on the body as landscape

by Chief Editor

The Resurgence of Figurative Realism in Contemporary Art

In an era dominated by digital media and neo-conceptual installations, there is a powerful shift back toward the tangible. The work of Jenny Saville, an original member of the Young British Artists (YBA), exemplifies this trend. Although her contemporaries often embraced multidisciplinary practices, Saville has remained dedicated to the representational power of oil on canvas.

From Instagram — related to Saville, Jenny Saville

The future of figurative art lies in this “Rubensesque” approach—where the focus isn’t just on the image, but on the experience of the body. By blending the abstraction of Cubism with the sensuality of the Baroque and elements of Abstract Expressionism, artists are finding recent ways to communicate the “unspoken” essence of human existence.

Did you grasp? Jenny Saville is regarded as the “Most Expensive Living Female Artist” after her 1992 work Propped sold at Sotheby’s for £67.3 million.

The Body as Landscape: A Clinical Evolution

One of the most significant trends in modern painting is the treatment of the human form as a landscape. Rather than objectifying the subject, this approach views flesh through a lens of nature and curiosity. Saville’s fascination with how flesh is moved during reconstructive breast surgery or liposuction—documented in works like Planned—signals a move toward a more clinical, honest exploration of the body.

The Body as Landscape: A Clinical Evolution
Saville Artists

This trend moves away from traditional beauty standards. By focusing on “meaty” subjects, including transgender people, burn victims, and cosmetic surgery patients, contemporary figurative art is beginning to prioritize the “experience of the body” over the aesthetic ideal.

The Tension Between Artistic Purity and the Global Art Market

The skyrocketing valuation of contemporary art creates a complex paradox for the creator. As paintings sell for the price of family homes, artists struggle to balance the “pure space” of the studio with the financial realities of the auction house.

Artist Jenny Saville on the body as landscape

However, there is a historical precedent for this. Much like the Renaissance—where the papacy and wealthy commissions drove artistic excellence—the current financial valuation of art may actually provide the support necessary for artists to achieve greatness. The challenge for the next generation will be maintaining artistic integrity while navigating a market where a single piece can fetch millions.

Pro Tip for Collectors: When analyzing figurative works, look for the “inner light.” Saville achieves this by rubbing paint into the canvas to create a luminous glow that is unique to the physical medium of paint.

Exploring the Universal Experience of Motherhood

Beyond the clinical, there is a growing trend toward depicting the poignant and “abundant” stages of life. The depiction of motherhood—characterized by growth and “wriggling”—represents a shift toward capturing the visceral, raw emotions of human development. This focus on the “universal experience” ensures that figurative art remains evergreen and relatable across different cultures and eras.

Exploring the Universal Experience of Motherhood
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For more insights into the evolution of the YBA movement, you can explore the archives at the Tate or view current exhibitions via the Gagosian Gallery.

Frequently Asked Questions

Who are the Young British Artists (YBAs)?
The YBAs were a group of artists who rose to fame in the 1990s, including figures like Damien Hirst, Tracey Emin, and Jenny Saville.

What defines Jenny Saville’s painting style?
Her style is characterized by large-scale figurative oil paintings of nude women, often featuring distorted or “meaty” subjects that subvert traditional beauty standards.

Which artists influenced the modern figurative movement?
Key influences include Lucian Freud, Francis Bacon, Frank Auerbach, Picasso, Degas, Egon Schiele, and De Kooning, as well as Old Masters like Titian and Velasquez.

What do you think about the astronomical prices of contemporary art? Does financial support help or hinder artistic creativity?

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