Former Hong Kong Commerce Minister Gregory So Kam‑leung Dies at 67

Hong Kong’s Media Landscape: What So Kam‑leung’s Legacy Tells Us About the Future

When former commerce secretary Gregory So Kam‑leung passed away, many observers reflected on his role in shaping Hong Kong’s broadcast regulation, intellectual‑property (IP) protection, and the high‑stakes free‑to‑air licence battle. While his tenure ended in 2017, the policies he championed continue to echo in today’s media market and hint at emerging trends that will define the next decade.

1. The Evolution of Broadcast Regulation in a Digital Age

So oversaw the contentious licence application of Ricky Wong Wai‑kay, a case that highlighted the clash between traditional broadcasters and new media platforms. Since then, Hong Kong’s Office of the Communications Authority (OFCA) has introduced three key shifts:

  • Hybrid Licensing: In 2020, OFCA launched a hybrid framework allowing existing free‑to‑air stations to offer streaming services under the same licence, reducing regulatory fragmentation.
  • Content‑Diversity Quotas: A 2022 amendment mandated that at least 30 % of airtime feature locally produced content, an effort to protect cultural heritage while encouraging creative industries.
  • AI‑Driven Monitoring: New AI tools now scan broadcasts for compliance, improving enforcement speed and accuracy.

These moves suggest a future where regulatory bodies balance traditional broadcast obligations with the rapid growth of over‑the‑top (OTT) services.

2. Intellectual‑Property Protection: From Paper to Blockchain

During So’s term, Hong Kong strengthened IP enforcement to attract foreign investment. Current data from the World Intellectual Property Organization (WIPO) shows a 12 % rise in patent filings in the region between 2018‑2023, driven by fintech and biotech startups.

Looking ahead, three trends are reshaping IP protection:

  1. Blockchain‑Based Registries: Pilot projects, such as the Hong Kong Intellectual Property Department’s partnership with IBM Blockchain, enable immutable proof of authorship, deterring piracy.
  2. Cross‑Border Enforcement Networks: The IPR Commission is fostering cooperation among ASEAN members to streamline infringement litigation.
  3. AI‑Assisted Prior Art Searches: Machine‑learning platforms now sift through millions of documents, cutting the time for patent examiners by up to 40 %.

These innovations are likely to make Hong Kong a regional hub for IP‑intensive industries.

3. Free‑to‑Air Broadcast Licences: A Blueprint for Future Competition

The 2015 licence dispute involving Ricky Wong underscored the need for transparent, merit‑based allocation. Since then, the government has introduced a point‑system evaluation that weighs:

  • Technological readiness (e.g., HD, 5G‑compatible transmission)
  • Local content production capability
  • Financial sustainability and public service commitment

Recent case studies illustrate the impact:

  • TVB’s digital upgrade (2021): Leveraging the new criteria, TVB secured additional spectrum, launching a hybrid TV‑plus‑streaming service that grew its subscriber base by 18 %.
  • ViuTV’s entry (2022): A newcomer that scored high on content diversity, quickly becoming the go‑to platform for youth‑focused programming.

Future licence frameworks may incorporate dynamic spectrum sharing and public‑private partnerships, fostering competition while safeguarding public interest.

What These Trends Mean for Hong Kong’s Economic Development

Governor‑level policies from So’s era—anchored in boosting trade, encouraging innovation, and protecting creative assets—remain relevant. As Hong Kong pivots toward a knowledge‑based economy, three pillars will dominate:

  1. Creative Industries: Expect a surge in film, music, and digital media exports, buoyed by stronger IP regimes.
  2. Tech‑Enabled Services: AI‑driven content moderation and data analytics will become standard for broadcasters.
  3. International Investment: Transparent licence processes and robust IP enforcement will attract foreign media conglomerates seeking an Asia‑Pacific gateway.

Did You Know?

Hong Kong’s free‑to‑air TV audience peaked at 7.9 million in 2018—more than half the city’s population—highlighting the sector’s massive reach and its potential as a platform for public‑service messaging.

Pro Tips for Media Start‑Ups

  • Secure your IP early: Register trademarks and patents before launching any content.
  • Leverage hybrid licences: Combine broadcast and streaming to maximize audience reach.
  • Invest in AI tools: Use automated compliance monitoring to avoid costly regulatory penalties.

FAQ

What is the current process for obtaining a free‑to‑air licence in Hong Kong?
Applicants submit a detailed proposal evaluated on technology, content, and financial viability. The point‑system score determines eligibility, followed by a public hearing.
How does Hong Kong’s IP protection compare to other Asian markets?
According to WIPO’s 2023 Global Innovation Index, Hong Kong ranks 9th for IP enforcement, outpacing many regional peers such as Singapore and South Korea.
Will AI replace human regulators in broadcast compliance?
AI will augment, not replace, regulators. It handles routine monitoring, while human experts interpret nuanced policy decisions.
Can foreign media companies apply for a licence?
Yes, provided they partner with a local entity and meet the local‑content requirements outlined in the licence criteria.

Stay Informed and Join the Conversation

What do you think the next big shift will be for Hong Kong’s media sector? Share your thoughts in the comments below, explore our Media Trends archive for more insights, and subscribe to our newsletter for weekly updates on policy, technology, and business opportunities.

Leave a Comment