The personal cello of renowned British landscape artist John Constable is returning to the public stage for the first time in a century. Commissioned by the painter in 1802 and crafted by his neighbor, John Dunthorne Sr., the instrument was restored following a successful fundraising campaign by the Friends of Ipswich Museum. It will be showcased at Christchurch Mansion in Ipswich starting June 17, 2026, as part of the Constable 250 festival.
Why is the restoration of Constable’s cello significant?
The instrument provides a rare, tangible link to the artist’s private life in Suffolk. According to Emma Roodhouse, a curator at Colchester and Ipswich Museums, the cello is remarkable because it survives with all its original fittings. Constable, famous for masterpieces like The Hay Wain, was also a keen amateur musician who likely played the instrument in a local band in his home village of East Bergholt. Its return to playable condition allows historians and musicians to reconnect with a side of the artist that remained largely obscured for decades.
A page in one of Constable’s sketchbooks features a drawing of two musicians, including a cellist. Art historians suggest this may be a self-portrait of the artist with his own instrument.
Who was John Dunthorne Sr.?
John Dunthorne Sr. was more than just a neighbor; he was a pivotal mentor and friend to Constable. While he worked as a plumber, glazier, and carpenter, he was also a skilled painter and musical instrument maker. According to Roodhouse, Dunthorne’s role in Constable’s life is often overlooked. Despite one contemporary describing him in a patronizing tone by noting he possessed “more intelligence than is often found in the class of life to which he belonged,” Constable deeply valued their bond. The two men frequently painted together in the fields of East Bergholt, and their surviving correspondence highlights a profound, enduring friendship.
How was the instrument preserved?
The cello entered the Ipswich Collection in 1942, but a poor restoration in 1926 had rendered it unplayable. The Friends of Ipswich Museum eventually raised over £4,000 to fund a professional restoration by James and Sylvie Fawcett, experts based in Suffolk. Cellist Melanie Woodcock, who grew up in the area, has been playing the instrument during the restoration process. She describes the sound as “very rich” and “lovely,” noting that the project successfully brought the instrument back to life after 100 years of silence.
Upcoming Events and Exhibition
Public engagement with the cello begins on June 10, 2026, when Melanie Woodcock will perform at a special event featuring readings by author Susan Owens. Following this performance, the instrument will be on display at Christchurch Mansion in Ipswich from June 17 until October 4, 2026. This exhibition is a centerpiece of the year-long festival marking the 250th anniversary of the birth of John Constable.
Frequently Asked Questions
- Where can I see the cello? It will be displayed at Christchurch Mansion in Ipswich from June 17 to October 4, 2026.
- Who made John Constable’s cello? It was crafted by his neighbor and friend, John Dunthorne Sr., in 1802.
- Is the instrument playable today? Yes. Following a restoration funded by the Friends of Ipswich Museum, the cello has been returned to a playable state.
Have you visited the Suffolk landscapes that inspired Constable’s work? Share your thoughts in the comments below or subscribe to our newsletter for more updates on local history and art restorations.
d, without any additional comments or text.
[/gpt3]
