Mayhem, Marduk and Immolation: A Night of Extreme Metal and a Look at the Enduring Appeal of Black and Death Metal
This Wednesday, February 25th, Riga’s “Spelet” concert hall (formerly “LaRocca” or the Operetta Theatre) will host a powerhouse of extreme metal, featuring Norwegian black metal pioneers Mayhem, Swedish counterparts Marduk, and American death metal stalwarts Immolation. Ahead of the concert, Mayhem vocalist Attila Csihar spoke with “Neatkarīgā” about the band’s new album, the enduring power of extreme music, and what fans can expect from the show.
The “Death Over Europe” Tour and Mayhem’s New Album, “Liturgy of Death”
Mayhem’s current tour, “Death Over Europe,” coincides with the release of their seventh studio album, “Liturgy of Death,” which arrived after a seven-year gap following 2019’s “Daemon.” Csihar describes the new album as a conceptual work exploring mortality “without romanticization or illusion,” stating that “death is not an end, but a universal law.” Despite the weighty themes, Csihar assures fans that the album maintains a modern sound while still being a powerful addition to Mayhem’s discography.
A Legacy of Extreme Metal: Mayhem’s History and Evolution
Formed in 1984, Mayhem has develop into synonymous with the black metal genre. The band’s lineup has seen changes over the years, with current members including Jørn Stubberud (Necrobutcher) who has been with the band since its inception, Jan Aksel Blomberg (Hellhammer) since 1988, and Attila Csihar himself, joining in 1992. Csihar, originally from Budapest, began his musical journey 40 years ago with the metal band “Tormentor.” He is also the lyricist for the new album.
The Enduring Appeal of Extreme Metal
Despite the niche nature of black and death metal, bands like Mayhem, Marduk, and Immolation continue to draw large crowds and critical acclaim. Csihar notes the enthusiastic reception to the “Death Over Europe” tour, with many concerts selling out. He attributes this success to the unique appeal of each band within the broader extreme metal landscape, stating they all “represent extreme metal, each in its unique way, giving fans what they expect.”
Facing the Question of Relevance After a Seven-Year Hiatus
Acknowledging the seven-year gap since their last studio album, Csihar addressed concerns about whether the band might be forgotten. He explained that completing a Mayhem album is always a lengthy process, further complicated by the COVID-19 pandemic and a 40th-anniversary tour. He emphasized that the band doesn’t rush the creative process, believing that each album should be a significant statement.
Staying True to Roots While Evolving
Mayhem has experimented with different sounds throughout its career, but “Liturgy of Death” represents a return to a more traditional black metal sound. Csihar acknowledges this, while also asserting that the band continues to innovate. He points to albums like “Grand Declaration of War” and “Ordo Ad Chao” as examples of Mayhem’s willingness to push boundaries. He believes the new album is one of Mayhem’s strongest works, both in terms of depth and lyrical content.
The Philosophy of Mortality in “Liturgy of Death”
The album’s central theme – mortality – is explored without sentimentality. Csihar draws parallels to art history, noting the prevalence of death and darkness in masterpieces. He argues that acknowledging the finite nature of life should inspire intensity and authenticity. He also delves into philosophical questions about the beginning and end of existence, referencing experiences like witnessing birth and hearing accounts of near-death experiences.
The Creative Process Behind the Lyrics
Csihar’s lyrics often explore complex philosophical themes. He describes his fascination with the fundamental nature of existence, drawing inspiration from cosmology and quantum physics. He sees his role as bringing these ideas into the world of Mayhem’s music, not as provocation, but as genuine exploration.
What to Expect at the Riga Concert
The Riga concert will feature a mix of new material from “Liturgy of Death” and classic Mayhem tracks. The setlist includes songs like “Realm of Endless Misery,” “Weep for Nothing,” and “Pure Fucking Armageddon.” Csihar notes that the show will be approximately an hour and 45 minutes long, filled with energy and a comprehensive overview of Mayhem’s history.
The Camaraderie on Tour
While each band maintains its own space and privacy on tour, Csihar describes a respectful and supportive atmosphere between Mayhem, Marduk, and Immolation. He has known members of Marduk for nearly 30 years, and the bands share a mutual appreciation for each other’s work.
A Chance to Connect with the Band
Csihar suggests that fans who want to meet the band and get their albums signed should bring their copies to the concert, as there may be an official signing session. He also hinted at future projects, including collaborations with Igor Cavalera and Rhys Fulber.
FAQ
Q: Will Mayhem play only new songs at the Riga concert?
A: No, the concert will feature a mix of new songs from “Liturgy of Death” and classic Mayhem tracks.
Q: How long will the Mayhem concert last?
A: The concert is expected to last approximately one hour and 45 minutes.
Q: Is there a chance to meet the band after the show?
A: There may be an official signing session, so it’s worth bringing your albums!
Q: What is the main theme of Mayhem’s new album?
A: The album explores the philosophy of mortality without romanticization or illusion.
Did you realize? Mayhem’s history is steeped in controversy, including the infamous church arsons and the murder of Øystein Aarseth (Euronymous) by Kristian Vikernes (Varg Vikernes).
Pro Tip: Arrive early to the “Spelet” concert hall to secure a quality spot and be prepared for an intense and immersive experience.
Don’t miss this opportunity to witness three titans of extreme metal live in Riga! Explore more about Mayhem and their tour dates on their official website and share your thoughts on the upcoming concert in the comments below.
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