Minister of Culture Fadli Zon has emphasized the critical demand for cultural preservation to strengthen Indonesia’s heritage ecosystem. This call to action was highlighted during the Solo Arts and Culture Exhibition, where the keris, a traditional dagger, served as a focal point of the event.
The Significance of the Keris
Minister Zon described the keris as a vital component of national identity, originating from Indonesia and embodying a wide array of cultural expressions. He noted that the weapon represents symbolic and philosophical meanings alongside highly refined artistic achievements.
The exhibition further reinforces the position of the keris as a world cultural heritage item inscribed by UNESCO. By showcasing these artifacts, the event seeks to advance the culture and honor the nation’s history.
A “Civilizational State”
During a press statement on Sunday, Minister Zon characterized Indonesia’s culture as “mega-diverse.” He explained that authentic evidence supports Indonesia’s role as an early center of human civilization, making it one of the oldest in the world.
Zon argued that this history should form the basis of the nation’s character, identity, and pride. He asserted that Indonesia is not merely a nation-state, but a “civilizational state” shaped by a long history of diverse acculturation.
Exhibition Details and Strategic Role
The event is currently being held at the Keris Nusantara Museum under the theme “Jaga Budaya” or “Let’s Preserve Culture.” The exhibition includes a variety of keris collections, paintings, and special performances.
Surakarta Deputy Mayor Astrid Widayani highlighted the strategic importance of the museum. She described it as a symbol of preserving intangible cultural heritage and a center for the most comprehensive collection of keris.
The broader effort to honor this heritage is seen in other national initiatives, such as when Indonesia declared April 19 as National Keris Day. There are ongoing efforts as Indonesia pushes for the return of historic keris and royal artifacts from abroad.
Regional recognition also plays a role, with claims that East Java’s Sumenep deserves the title of “keris capital of the world.”
Future Outlook
Given the current emphasis on the “cultural heritage ecosystem,” the government may continue to seek the return of artifacts held overseas to complete national collections. This could lead to increased diplomatic efforts to retrieve royal artifacts.
the involvement of diverse professional collectors suggests that future exhibitions may likely expand their outreach to different sectors of society to ensure the survival of these traditions.
Frequently Asked Questions
What is the theme of the Solo Arts and Culture Exhibition?
The exhibition is held under the theme “Jaga Budaya,” which translates to “Let’s Preserve Culture.”
Where is the exhibition taking place?
The event is being held at the Keris Nusantara Museum.
What does the keris represent according to Minister Fadli Zon?
The keris is viewed as a part of Indonesia’s national identity that embodies philosophical meanings, symbolic expressions, and refined artistic achievements.
How significant is it for a modern nation to view itself as a “civilizational state” rather than just a nation-state?
