SODOM’s Angelripper Steps Back: A Sign of Changing Times for Metal Touring?
German thrash metal icon Thomas “Angelripper” Such of SODOM recently revealed his decision to significantly curtail the band’s touring schedule, citing family, health, and a desire for a more balanced life. This isn’t an isolated incident. Across the music industry, and particularly within the demanding world of metal, veteran artists are re-evaluating the relentless cycle of touring. But is this a personal choice for aging musicians, or a harbinger of broader shifts in the live music landscape?
The Physical and Mental Toll of Constant Touring
For decades, the expectation for successful bands has been constant touring – a grueling schedule of travel, late nights, and physically demanding performances. Angelripper, 63, explicitly mentioned a doctor’s advice to “calm down a little bit,” highlighting the physical strain. However, the toll isn’t just physical. The constant disruption to personal life, the isolation from family and friends, and the mental fatigue of being “on” all the time are increasingly recognized as significant burdens. Slayer’s Tom Araya, as Angelripper pointed out, faced similar pressures, leading to his own step back from extensive touring.
Pro Tip: Bands are increasingly incorporating wellness riders into their contracts, requesting amenities like healthy food options, comfortable accommodations, and access to mental health resources. This reflects a growing awareness of the need to prioritize artist well-being.
The Rising Costs and Complexities of International Touring
Angelripper’s comments on the difficulties of U.S. touring are particularly relevant. The bureaucratic hurdles of obtaining visas, coupled with the escalating costs – he cited $2,000 per person for working papers – are making international tours less financially viable, especially for mid-level and smaller bands. This is compounded by rising travel expenses, including fuel costs and airfare. A 2023 report by Pollstar indicated that touring costs increased by an average of 15% year-over-year.
The disparity between the ease of touring for American bands in Europe (passport only) and the challenges faced by European bands in the U.S. is a significant point of contention. This imbalance creates an uneven playing field and discourages cross-continental performances.
The “Home Office” Revolution: Re-evaluating Revenue Streams
Angelripper’s focus on re-releases with BMG and writing new material represents a shift towards diversifying revenue streams. Traditionally, touring has been the primary income source for most bands. However, the rise of streaming, digital downloads, and merchandise sales offers alternative avenues for generating income. Bands are now exploring options like Patreon subscriptions, exclusive online content, and direct-to-fan sales to reduce their reliance on live performances.
Did you know? Bandcamp, a platform that allows artists to sell music and merchandise directly to fans, saw a surge in sales during the pandemic, demonstrating the potential of direct-to-fan models.
The Future of Metal Touring: Boutique Festivals and Targeted Shows
While large-scale, multi-city tours may become less common for some artists, the demand for live metal music remains strong. The future likely lies in a more selective approach: focusing on strategically chosen festivals, anniversary shows, and targeted performances in key markets. Boutique festivals, offering a more curated experience and a focus on artist well-being, are gaining popularity. Examples include Maryland Deathfest and Bloodstock Open Air.
This shift also opens opportunities for smaller, regional festivals to thrive, catering to niche audiences and providing a platform for emerging bands.
The Impact on Younger Bands
The decisions of veteran artists like Angelripper will undoubtedly influence the strategies of younger bands. They may be more inclined to prioritize sustainable touring practices, focusing on shorter tours, regional circuits, and diversified revenue streams from the outset. The pressure to constantly tour to achieve financial success may lessen as alternative income models become more established.
FAQ
Q: Is SODOM breaking up?
A: No, Angelripper has stated it’s not a full retirement, but a break from extensive touring. He may return to playing shows in the future.
Q: Are more bands canceling tours?
A: Yes, several international artists have cited visa issues and financial concerns as reasons for canceling U.S. tours.
Q: What are bands doing instead of touring?
A: They are focusing on album releases, re-releases, merchandise sales, online content, and exploring direct-to-fan platforms.
Q: Will metal festivals disappear?
A: Unlikely. Festivals are adapting by offering more curated experiences and prioritizing artist well-being.
The changing landscape of metal touring isn’t a sign of decline, but rather a necessary evolution. Artists are prioritizing their well-being, adapting to economic realities, and exploring new ways to connect with their fans. The future of live metal may be different, but it’s far from over.
Want to learn more about the challenges facing touring musicians? Read Billboard’s in-depth report on the state of the touring industry.
What are your thoughts on the future of metal touring? Share your opinions in the comments below!
d, without any additional comments or text.
[/gpt3]
