The Curious Case of the Mismatched Plot: How ‘Starfleet Academy’ Echoes ‘Deep Space Nine’s’ Storytelling Quirks

By Chris Snellgrove | Published 1 minute ago

A common critique of newer Star Trek series is that they lack the feel of classics like Deep Space Nine. But, the recent Starfleet Academy episode, “Series Acclimation Mil,” inadvertently recreated one of Deep Space Nine’s most notable flaws: the combination of a compelling central plot with a strangely disjointed subplot.

The A-Plot/B-Plot Structure: A Golden Age Tradition

During the earlier years of Star Trek, episodes typically featured two storylines – an “A Plot” considered the main focus, and a “B Plot” serving as a secondary narrative. This structure aimed to give the ensemble cast more screen time and provide viewers with an additional story to enjoy.

When Plots Collide (And Not in a Good Way)

This method falters when the A and B plots are mismatched, creating a disjointed viewing experience. Deep Space Nine offered examples of this, such as the episode “Life Support,” which paired a story about reviving a spiritual leader with a subplot about Jake explaining appropriate behavior to Nog. Similarly, “A Call To Arms” contrasted the Dominion invasion with Rom and Leeta’s wedding.

“Doctor Bashir, I Presume?” is cited as a prime example, featuring a moving exploration of Bashir’s genetic engineering alongside a subplot involving the Hologram creator’s pursuit of Leeta.

‘Starfleet Academy’ and the Echo of DS9

The Starfleet Academy episode “Series Acclimation Mil” featured an ambitious A plot centered on cadet SAM’s investigation into the fate of Captain Sisko, including appearances from Jake Sisko and Dax. This storyline explored Sisko’s legacy and SAM’s role as an emissary.

However, this was paired with a B plot involving Chancellor Ake assisting Commander Nelrec with a visiting dignitary, culminating in a rehearsal dinner filled with bizarre jokes and slapstick, including a deflating fish and prolonged fart noises.

“Series Acclimation Mill” unintentionally mirrored the worst aspects of Deep Space Nine’s storytelling, pairing a powerful A plot with an incongruous and ultimately distracting B plot. While this practice was common during the earlier era of Star Trek, the hope is that future writers will focus on crafting consistently strong narratives.

Did you understand?

Deep Space Nine often balanced complex, serialized storylines with lighter, more episodic adventures. However, the mismatched plots sometimes detracted from the overall impact of the display.