Eros Innovation has pledged £265 million ($355.2 million) to expand its U.K. operations, launching a 15-production slate that includes an AI-remastered version of the Rajinikanth film “Kochadaiiyaan.” The company is also licensing a $1.7 billion cultural dataset to its new British arm, aiming to integrate sovereign-grade artificial intelligence into film production, music studios, and animation, according to company announcements at London Tech Week.
How is AI changing Indian film production?
Eros Innovation is utilizing its Large Cultural Model (LCM) family, a suite of AI systems trained on 1.5 trillion rights-cleared tokens from 11,000 films and 100,000 characters. According to the company, these models are designed for domain-specific cultural understanding rather than general-purpose tasks. OxValue.AI, working with the University of Oxford, independently valued this dataset at $1.7 billion. This follows previous AI-driven experiments by the firm, such as the alternate-ending re-release of “Raanjhanaa,” marketed as “Ambikapathy” in Tamil.

The “Kochadaiiyaan” remaster is not just a visual upgrade. It marks the return of director Soundarya Rajinikanth to the project, which originally made history as India’s first motion-capture feature film.
What is the scale of the new Brahmand cinematic universe?
The “Eros Brahmand” slate focuses on ancient Indian mythology, spanning nine major productions including “Nandi – War of Kailasa,” “Mahabharat 5000 A.D.,” and “Vimaan Wars.” Each title is being developed by a dedicated U.K. film production entity. Co-president Swaneet Singh described the move as a “sovereign-grade cultural artificial intelligence capability,” rather than a standard corporate office expansion. Two of these projects, including “Nandi – War of Kailasa,” are scheduled to begin filming in Britain in 2026.
How does the new slate compare to traditional franchise models?
While traditional studios often produce sequels in isolation, Eros is shifting toward “full franchise ecosystems.” Under the “Eros Universe” banner, the company is expanding six existing Indian film worlds, such as “Tanu Weds Manu” and “English Vinglish,” into multi-format content. These will span film, animation, and microdrama. The upcoming “Tanu Weds Manu – The Next Chapter” will be directed by Mitakshara Kumar, with production shared between the U.K. and India, featuring an entirely new cast.
Watch for the shift toward “microdrama” in global media markets. By leveraging AI-driven animation and character-led content, companies can maintain franchise engagement between major cinematic releases.
Why is the U.K. central to this investment?
Kanishka Narayan MP, Parliamentary Under-Secretary of State in the Department for Science, Innovation and Technology, characterized the investment as a “vote of confidence” in the British creative and technology sectors. The £265 million commitment funds more than just film sets; it supports U.K.-based R&D, British academic partnerships, and specialized AI music studios in London. This initiative follows the launch of the Eros LCVM voice layer in June, which was introduced by S. Krishnan, Secretary of India’s Ministry of Electronics and Information Technology (MeitY).

Frequently Asked Questions
- What is the Eros Large Cultural Model? It is an AI system trained on 1.5 trillion tokens derived from 11,000 Indian films, specifically designed to understand cultural and narrative nuances.
- Which films are moving to production in the U.K.? “Nandi – War of Kailasa” and “Tanu Weds Manu – The Next Chapter” are confirmed for U.K. production in 2026.
- Is this considered sovereign AI? Yes, the Indian Ministry of Electronics and Information Technology (MeitY) recognizes the project as a sovereign AI initiative, with research anchored at the Indian Institute of Technology Madras.
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