The inaugural performance of phoria: a trans musical anthology is scheduled for Saturday, August 8, 2026, at 7:30 p.m. Hosted at the Renberg Theatre within the Los Angeles LGBT Center, the 75-minute concert features a gender-expansive vocal octet and a string quartet performing original works by trans and nonbinary composers.
Program Details and Artistic Scope
The production draws its title from the Greek root phoros, meaning “to carry.” According to the organizers, the program utilizes this linguistic foundation to navigate the emotional spectrum between euphoria and dysphoria. The concert is comprised of six world premiere compositions from Los Angeles-based artists Anaís Azul, Aria Gittelson, Wells Leng, Tanner Pfeiffer, Yaya Vasquez-Lopez, and Socks Whitmore.
The musical anthology aims to explore themes of identity, belonging, transformation, and resilience. Organizers state that these performances are intended to offer what they describe as “a new lexicon of words for trans experience.” The production is supported in part by an arts grant provided by the City of West Hollywood.
Ticketing and Accessibility
Tickets for the event start at $25. Discounted pricing options are available specifically for students, seniors, and residents of West Hollywood. The Renberg Theatre is equipped for wheelchair accessibility to accommodate all attendees.
For those driving to the venue, the Los Angeles LGBT Center provides paid parking in its on-site garage. Additional street parking is available in the surrounding area for concertgoers.
What Happens Next
Frequently Asked Questions
Where will the performance take place?
The concert will be held at the Renberg Theatre, located inside the Los Angeles LGBT Center.
Who are the featured composers?
The works were written by Los Angeles-area composers Anaís Azul, Aria Gittelson, Wells Leng, Tanner Pfeiffer, Yaya Vasquez-Lopez, and Socks Whitmore.
Are there discounts available?
Yes, tickets start at $25, with reduced pricing available for students, seniors, and West Hollywood residents.
Do you believe that establishing a new musical lexicon is an effective way to communicate the trans experience to a broader audience?
