Why AI Can’t Write

Literary writer Jeferson Tenório warns that artificial intelligence tools used for creative writing threaten the fundamental human experience of storytelling, arguing during an appearance at the fourth Festival Literário Internacional de Paracatu (Fliparacatu) that authors and readers lose out when artistic creation is outsourced to digital platforms.

Jeferson Tenório Warns Against AI in Literature at Fliparacatu

Artificial intelligence systems are increasingly trained to handle creative tasks traditionally rooted in human emotion, according to comments made by author Jeferson Tenório during the fourth Festival Literário Internacional de Paracatu (Fliparacatu). Tenório, author of “De onde eles vêm” published by Companhia das Letras, told the literary column that tools in the digital environment are taking on an accelerating and potentially irreversible role in literary writing. He stated that writing stems from human anguish and the awareness of personal finitude, serving as a way to presentify time and continue beyond death.

Did you know? Jeferson Tenório’s novel “De onde eles vêm” is published by Companhia das Letras, and the author addressed digital writing trends during his panel testimony at Fliparacatu.

Why Conscious AI Would Self-Destruct According to Tenório

To reach the emotional depth of human writing, an artificial intelligence would require a form of consciousness, Tenório argued during the literary festival. According to the writer, if an AI possessed true consciousness, it would request to be erased because it remembers everything and forgets nothing. By contrast, human writing is driven precisely by the interplay of what people forget and what they remember. Delegating this existential experience to digital environments strips away what defines an artist, leaving both writers and readers at a loss.

Recent Literary Awards and Novel Launches Across Brazil

Alongside discussions on digital tools in literature, several regional events and book releases shaped the Brazilian literary scene. Author Ademir Barbosa Junior won the third Prêmio Pallas de Literatura for his book “A pombagira do fim do mundo e outros contos,” competing against more than 150 submissions. Juror Eliana Alves Cruz noted that the winning work displayed the courage to mix elements from African-derived religious pantheons with the daily life of a diverse populace; the book will be published next year by the editora Pallas.

Why AI Can't Write
Why AI Can't Write

In other publishing news, Ana Paula Moreira released her romance “O coração é desses pormenores” under the Auroras imprint by Litteralux, a publishing label dedicated exclusively to female authorship. Edited by Dani Costa Russo with a book jacket text by Camila Maccari and graphic design by Karina Tenório, the 47th title in the Auroras catalog follows four generations of women. Meanwhile, the Academia Pernambucana de Letras (APL) in Recife honored the late journalist and writer Homero Fonseca, featuring a lecture by academic George Cabral on the Confederation of the Equator referencing Fonseca’s book “Jornais em guerra: o papel da imprensa na Confederação do Equador.”

Pro tip: Literary enthusiasts looking for upcoming events can catch writer Carla Madeira discussing her new romance “Quando” (published by Record) in a conversation with Giovana Madalosso at the Cine Theatro Brasil in Belo Horizonte, part of the Sempre Um Papo series marking its 40th anniversary of author interviews in 2026.

Frequently Asked Questions

What did Jeferson Tenório say about artificial intelligence in writing?

According to Jeferson Tenório at Fliparacatu, AI tools take on a prominent role in literary creation, but writing fundamentally stems from human anguish and finitude. He argued that delegating this existential experience to digital tools causes both writers and readers to lose what makes an artist.

Joca Reiners Terron, Eliane Marques e Jeferson Tenório #Fliparacatu

Who won the third Prêmio Pallas de Literatura?

Ademir Barbosa Junior won the third Prêmio Pallas de Literatura with his book “A pombagira do fim do mundo e outros contos,” which was selected from over 150 entries and will be published by the editora Pallas.

What is the focus of the Auroras publishing imprint?

The Auroras imprint by Litteralux is an exclusive label dedicated to publishing works authored by women, such as Ana Paula Moreira’s newly released romance “O coração é desses pormenores.”


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