Playwright Ken Urban. (Photo by Marc Franklin)
The Rise of the Multi-Hyphenate Artist
Ken Urban, a playwright, screenwriter, musician and educator, exemplifies a growing trend in the arts: the multi-hyphenate artist. His work spans playwriting – including titles like The Moderate and A Guide for the Homesick – music with his band Occurrence, and teaching at MIT. This isn’t an isolated case; more artists are deliberately diversifying their skill sets and income streams.
Balancing Creative Pursuits
Urban’s experience highlights the challenges and benefits of juggling multiple projects. He acknowledges the need for effective time management and recognizes how different pursuits can inform one another. This approach isn’t just about financial stability; it’s about creative enrichment. Exposure to different artistic disciplines can spark new ideas and perspectives.
The ability to adapt and explore various creative avenues is becoming increasingly crucial. The traditional path of solely focusing on one art form is evolving, particularly for emerging artists.
The Evolving Playwriting Career
Urban’s career trajectory reflects the unpredictability of a life in the arts. He notes that “being good at writing plays is only one part of having a career,” with luck and knowing how to leverage opportunities being equally important. This sentiment underscores a shift in perspective – success isn’t solely based on artistic merit, but also on networking, self-promotion, and adaptability.
The Impact of Luck and Timing
Recognizing the role of luck doesn’t diminish the importance of hard work, but it encourages a more realistic and resilient mindset. Artists are increasingly proactive in creating their own opportunities, rather than solely relying on traditional gatekeepers. This includes self-producing work, utilizing online platforms, and building direct relationships with audiences.
The Value of Interdisciplinary Training
Urban’s position as head of the dramatic writing program at MIT suggests a growing emphasis on interdisciplinary approaches to arts education. The MTA Playwrights Lab at MIT, for example, fosters collaboration between students and professional artists. This model reflects a broader trend of integrating different disciplines to foster innovation and prepare artists for a rapidly changing landscape.
Beyond the Stage: Audio Plays and Film
Ken Urban’s work extends beyond traditional stage plays to include audio plays like Vapor Trail and A Sticky Memento, and a film adaptation of The Happy Sad. This demonstrates a willingness to explore different mediums and reach wider audiences. The rise of audio dramas and streaming platforms provides new avenues for playwrights and storytellers.
Industry Recognition and Affiliations
Urban’s numerous accolades – including a Drama Desk Award, four MacDowell Fellowships, and affiliations with New Dramatists and the Playwrights’ Center – highlight the importance of industry support and networking. These organizations provide resources, mentorship, and opportunities for artists to develop their work and connect with peers.