Shoot the People Review: A Powerful Portrait of a Controversial Photographer

Misan Harriman, a British-Nigerian photographer and filmmaker, has transitioned from a career in finance to global prominence as an activist and artist. His documentary Shoot the People, which explores his life and work, documents his rise to prominence—including his Oscar-nominated short film The After—prior to controversies regarding his social media activity in May.

The Evolution of the Artist-Activist

Harriman’s career pivot occurred after a photograph he took of an anti-racist demonstration went viral. The image gained significant reach after Martin Luther King III shared it on social media. According to the documentary, this moment served as the catalyst for Harriman’s move from the financial sector into professional photography and film.

His work often intersects with high-profile social movements, including Black Lives Matter and advocacy regarding the conflict in Gaza. His short film The After, starring David Oyelowo, secured an Oscar nomination in 2024. The documentary captures his attendance at the Academy Awards, where he was filmed photographing pro-Palestinian demonstrations.

Addressing Public Controversy and Social Media

In May, Harriman faced public scrutiny following social media posts that were criticized for amplifying anti-Zionist conspiracy theories related to the Golders Green attack. Additionally, he drew criticism for referencing Susan Sontag’s comments on the Holocaust when discussing the electoral successes of Reform UK.

Supporters of Harriman characterized the backlash as a “smear campaign,” according to reporting on the documentary. Because the film was completed before these events unfolded, it does not include his direct response to these specific controversies. The film presents him as a candid figure who openly discusses his upbringing in a wealthy, privileged environment, which he credits with providing him an intimate view of British overclass racism.

How Privilege Shapes Artistic Perspective

Harriman’s public persona is marked by a blend of artistic ambition and introspective commentary. In one sequence of Shoot the People, he is filmed walking in fields with his dog, reflecting on his identity. He suggests that the natural world is indifferent to professional accolades, stating: “The trees don’t give a damn about the Academy Awards, neither does my dog. They do care about what sort of a human being I am.”

This candid approach to his own life story is a recurring theme in his media appearances. By maintaining a focus on his personal journey from finance to the arts, the documentary serves as a portrait of a self-taught photographer navigating the complexities of modern fame and political activism.

Pro Tip: Evaluating Documentary Bias

When watching biographical documentaries, consider the timeline of production. As seen with Shoot the People, films completed before a subject’s major public controversies may offer a different perspective than post-event reporting. Always check for production completion dates to understand the context of the narrative.

Frequently Asked Questions

• When was Shoot the People released? The documentary is scheduled for release in UK and Irish cinemas starting 10 July.
• What is the subject of Misan Harriman’s The After? The After is a short film starring David Oyelowo that received an Academy Award nomination in 2024.
• What controversies did Harriman face? In May, Harriman faced criticism for social media posts regarding the Golders Green attack and comments relating to Reform UK and the Holocaust.

Have you seen Misan Harriman’s photography or his short film work? Join the conversation in the comments below, or subscribe to our newsletter for more updates on contemporary cinema and the arts.