The National Theatre’s stage adaptation of Pride: The Musical brings the real-life history of the 1984 Lesbians and Gays Support the Miners (LGSM) movement to a new generation. Directed by Matthew Warchus, the production translates the 2014 film’s narrative into a multi-genre score, featuring original compositions by Christopher Nightingale, Josh Cohen, and DJ Walde. The musical serves as a living archive of the alliance between LGBTQ+ activists and Welsh mining communities during the 1984–1985 miners’ strike, bridging historical political activism with contemporary social advocacy.
How does the musical adapt the original film?
Director Matthew Warchus, who led both the 2014 film and the current stage production, describes the story as a romantic comedy between two “ostensibly hostile entities.” According to Warchus, the musical format allows for a more direct connection with the audience, turning the narrative into a “social way of appreciating the story.” While the film relied on cinematic realism, the stage version employs genre-spanning music—ranging from disco and punky pop to Broadway-style torch songs—to heighten the emotional arc of the activists’ journey.
The original “Pits and Perverts” benefit gig, held in December 1984 at London’s Electric Ballroom, raised £5,500 for the miners. Adjusted for inflation, that donation is equivalent to more than £70,000 in today’s currency, according to production notes.
Why does this story remain a relevant model for modern activism?
The alliance between LGSM and the Neath, Dulais, and Swansea Valley mining communities established a precedent for cross-community solidarity. Writer Stephen Beresford notes that the musical reflects a radical shift in British attitudes since the 1980s. During recent previews, Beresford observed that audiences now respond to on-stage depictions of queer life with “roars of approval,” a stark contrast to the discomfort and laughter he witnessed when writing about these themes in the early 1990s.
This legacy of solidarity continues to influence contemporary movements. For example, trade unions recently pooled resources to fund Durham Pride after local council funding was withdrawn, mirroring the historical support structures established by the LGSM. According to former MP Siân James, who was involved in the original 1984 movement, the story acts as a “testament and document” for those who lost their lives to the AIDS epidemic, including LGSM leader Mark Ashton.
What are the future trends for historical musical theatre?
The success of Pride: The Musical signals a growing trend toward “living history” theatre, where the subjects of the narrative are actively involved in the development process. By involving original members like Jonathan Blake and Dai Donovan in the rehearsal and preview process, the production team has prioritized historical authenticity over dramatization.
Industry analysts suggest this trend will likely expand as theatre companies seek to engage younger audiences through stories that emphasize intersectionality and grassroots organizing. By grounding high-production musicals in verifiable historical events, theaters can foster deeper audience loyalty and provide educational value that transcends standard entertainment.
When researching the historical context of the miners’ strike, the 1986 documentary All Out! Dancing in Dulais remains the primary source for understanding the original intent behind the LGSM’s fundraising efforts. It is available to view via public archives on YouTube.
Frequently Asked Questions
Is Pride: The Musical based on a true story?
Yes. It is based on the real-life 1984 formation of Lesbians and Gays Support the Miners (LGSM) and their financial and social support for Welsh mining communities during the 1984–1985 miners’ strike.
Who composed the music for the production?
The musical features a collaborative score by Tony Award-winning composer Christopher Nightingale, alongside Josh Cohen and DJ Walde.
Where can I see the production?
Pride: The Musical is currently running at the National Theatre’s Dorfman stage in London through September 12.
Have you seen the stage adaptation or the original film? Share your thoughts on how historical storytelling influences modern activism in the comments below, or subscribe to our newsletter for more updates on upcoming National Theatre productions.
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