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Cannes Entry ‘Coward’ Reveals a Softer Side of WWI

by Chief Editor May 22, 2026
written by Chief Editor

Lukas Dhont’s “Coward”: A New Paradigm for War Cinema

In the landscape of modern cinema, the “war movie” has long been defined by the cacophony of artillery and the clinical depiction of tactical maneuvers. However, Belgian director Lukas Dhont’s latest feature, Coward, which premiered at the 2026 Cannes Film Festival, is shifting the genre’s focus toward the quiet, subversive power of human connection.

By centering his narrative on a makeshift theatre troupe within the trenches of the First World War, Dhont challenges the traditional, hyper-masculine portrayal of soldiers. This pivot toward “softness” as a form of resistance is not just a stylistic choice—it is a commentary on how history often erases the intimate lives of those caught in global conflicts.

The Power of “Soft” Representation

Dhont’s inspiration came from a historical photograph of soldiers wearing sandbag skirts and shell jewelry. This image, which exists in stark contrast to the expected grit of the Western Front, serves as the heart of his film. It highlights a recurring trend in contemporary media: the reclamation of queer history in spaces once thought to be exclusively patriarchal.

The Power of "Soft" Representation
Western Front

Industry experts have noted that audiences are increasingly seeking “human-scale” narratives. As streaming platforms and cinema houses see a dip in interest for bloated, CGI-heavy spectacles, there is a growing appetite for stories that prioritize emotional authenticity over historical grandiosity.

Pro Tip: When analyzing historical films, look for the “absent narrative.” Directors who succeed in the current market are often those who find stories in the margins—the moments of downtime, artistic expression, and unspoken identity that history books often overlook.

Performance as Resistance

The film explores how soldiers used performance as a psychological shield. While the brutality of the front line is ever-present, the characters find agency through theater. This reflects a broader trend in storytelling: the shift from viewing trauma as a static experience to viewing it as a catalyst for creative, albeit fleeting, defiance.

Lukas Dhont interview on Coward at Cannes film festival 2026

Dhont’s directorial style, characterized by “aching sensuality,” allows the audience to witness the blossoming romance between Pierre (Emmanuel Macchia) and Francis (Valentin Campagne) without the heavy-handed tropes of the past. This approach is setting a high bar for independent features, proving that intimate, character-driven dramas can compete on the world’s biggest stages.

Future Trends in LGBTQ+ Historical Drama

We are currently witnessing a “Third Wave” of queer cinema. While early films focused heavily on the tragedy of identity, and the mid-2010s focused on the struggle for acceptance, the current trend—exemplified by Coward—is the integration of queer identity into historical contexts where it was previously “invisible.”

Future Trends in LGBTQ+ Historical Drama
Lukas Dhont Coward Cannes red carpet
  • Authentic Casting: Directors are increasingly moving away from established stars to find “fresh talent” through unconventional casting, such as Dhont’s search in agricultural schools for his lead.
  • Sensory Storytelling: Future award-winning films are moving toward tactile, sensory-focused cinematography that emphasizes the physical reality of the environment.
  • Genre Blending: The merging of war-genre intensity with domestic or romantic intimacy is becoming a hallmark of high-brow auteur cinema.
Did you know? Lukas Dhont’s previous works, Girl (2018) and Close (2022), both premiered at Cannes and garnered international acclaim, establishing him as a leading voice in European cinema. Close notably received an Oscar nomination for Best International Feature Film.

Frequently Asked Questions

What is the premise of the film Coward?
The film follows two Belgian soldiers during World War I who find solace and romance while organizing a theater troupe behind the front lines to lift their comrades’ spirits.
Is Coward based on a true story?
While fictional, the film is inspired by real historical phenomena—specifically the practice of soldiers using theater and cross-dressing as a form of escapism and resistance during the First World War.
Why is this film significant for the Cannes Film Festival?
Coward is one of the 22 films competing for the prestigious Palme d’Or, marking Lukas Dhont’s return to the main competition following his success with Close.

What are your thoughts on the evolution of war cinema? Do you prefer historical accuracy or the emotional lens of the director? Join the conversation in the comments below or subscribe to our weekly film newsletter for more deep dives into the world of international cinema.

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May 22, 2026 0 comments
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News

Meta Settles First US Lawsuit Over Youth Mental Health Costs

by Rachel Morgan News Editor May 21, 2026
written by Rachel Morgan News Editor

Meta Platforms has reached a settlement in a bellwether lawsuit brought by the Breathitt County School District in eastern Kentucky. The agreement resolves the first case scheduled for trial that sought to hold social media companies financially responsible for the costs school districts say they have incurred to address a mental health crisis they allege is fueled by these platforms.

The case, which had been set for a June 15 trial in federal court in Oakland, California, represents a significant development in a broader legal landscape involving approximately 1,200 school districts. These districts are pursuing similar claims, alleging that social media companies designed their platforms to keep young users engaged, leading to issues such as anxiety, depression, and self-harm, and placing the burden on schools to mitigate these consequences.

Did You Know?

The lawsuit brought by the Breathitt County School District sought over $60 million to cover the costs of addressing the impact of social media on students’ mental health, including funding for a 15-year abatement program and a court order to modify platforms to reduce addictive features.

In response to the resolution, a Meta spokesperson stated, “We’ve resolved this case amicably and remain focused on our longstanding work to build protections like Teen Accounts that help teens stay safe online, while giving parents simple controls to support their families.” Meta and other companies involved in the litigation have consistently denied the allegations, maintaining that they take extensive steps to ensure the safety of young users.

Expert Insight:

As a bellwether case, the Breathitt County lawsuit served as a crucial test to help judges and attorneys gauge the potential value of the thousands of remaining claims. While this settlement provides a resolution for one district, the broader litigation remains sprawling, with over 3,300 lawsuits pending in California state court and another 2,400 cases centralized in federal court. The outcome of this and other pending trials, such as the ongoing case brought by the state of New Mexico, could significantly influence the trajectory of future settlement negotiations for districts ranging from tiny rural entities to massive urban systems.

Looking ahead, the resolution of this test case may influence how the remaining 1,200 school districts proceed with their claims. Attorneys for the plaintiffs have indicated that their focus remains on pursuing justice for these districts. Given the scale of the litigation—which includes large systems such as the Los Angeles Unified School District and the New York City public school system—the industry may face continued pressure regarding platform design and its perceived impact on student welfare.

Frequently Asked Questions

What was the basis of the lawsuit brought by the Breathitt County School District?
The district alleged that social media companies designed their platforms to keep young users hooked, which they claimed drove anxiety, depression, and self-harm among students, requiring schools to bear the costs of addressing these mental health issues.

Frequently Asked Questions
Breathitt County school district building

How many school districts are involved in similar litigation?
There are approximately 1,200 school districts pursuing similar claims against social media companies.

What is the current status of the broader legal challenges against social media companies?
More than 3,300 lawsuits are pending in California state court, and another 2,400 cases have been centralized in California federal court, involving claims from school districts, individuals, states, and municipalities.

How do you believe schools should balance the integration of digital technology in the classroom with the growing concerns regarding student mental health?

Meta, TikTok and YouTube heading to trial amid claims of youth addiction, mental health harm
May 21, 2026 0 comments
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