Exploring Space Debris

A Japanese spacecraft successfully rendezvoused​ with a ​three-ton⁢ piece ‌of rocket debris in a high-stakes mission, as ​reported⁢ by the BBC. ⁤This ‍endeavor ​aims to investigate the feasibility of removing the growing amount​ of space junk orbiting our‌ planet.

Developed⁢ by Astroscale Japan Inc., a satellite located ⁣the 15-year-old rocket segment and captured an image of the‍ 36-by-15 foot space debris,‌ according to the ⁢ BBC.

Launched in February, the ‍Astroscale satellite‌ utilized ⁢onboard cameras and ⁣precise calculations to⁢ approach the rocket debris without causing any disturbance to the spinning derelict ‌rocket in Earth’s orbit.

The primary objective​ of this mission is to photograph the rocket debris, assess its condition, and evaluate the satellite’s ability to approach it. Future plans involve launching‌ another satellite equipped with robotic arms to manage ⁣and safely‍ remove this space ⁢debris, as

JAKARTA – Ivan Gunawan returned to visit the mosque built in Uganda, an East African state. He and his team came to meet hundreds of local residents and held a meal together as a form of gratitude.

This moment was recorded via an Instagram post @ivan_gunawan. A man who is familiarly called Corner He was wearing a complete white robe, with a turban around his neck.

On that occasion, Igun expressed his gratitude after successfully building a mosque in the interior of Uganda. He even hop

Penélope Cruz: Celebrating 50 Years of Exceptional Talent

As she turns 50 this Sunday, April 28, Penélope Cruz continues to captivate audiences with her remarkable talent and timeless beauty. The Spanish actress, who first captured hearts in her breakout role in the 1992 film “Jamón, Jamón,” has since established herself as a powerhouse in both Hollywood and European cinema.

In a recent speech at the Campoamor Theater in Oviedo upon receiving the Princess of Asturias, legendary actress Meryl Streep praised Cruz’s contributions to Spanish culture, alongside luminaries such as Lorca and Picasso

The closing ceremony of the Days of Culture of Kyrgyzstan in Azerbaijan, organized by the Ministry of Culture, took place at the Azerbaijan State Academic Musical Theater, Day.Az reports.

The event was attended by the Minister of Culture of Azerbaijan Adil Karimli, the Minister of Culture, Information, Sports and Youth Policy of Kyrgyzstan Altynbek Maksutov, cultural and artistic figures of the two countries, and representatives of the public.

Guests got acquainted with an exhibition of works by masters of decorative, applied and fine arts of Kyrgyzstan, a collection of clothing and samples of national cuisine presented in the foyer of the theater.

At the opening of the evening, the Minister of Culture, Information, Sports and Youth Policy of Kyrgyzstan Altynbek Maksutov e

D. Meškauskas, who was met before the rehearsal, shared the feeling of the upcoming performance, the guidelines for its thematic path. The actor did not talk about the character, the depths of his personality, but about the ideas he conveys. Not by chance. According to D. Meškauskas, the questions raised by “Requiem” itself call us to turn our gaze away from ourselves to the terrifying distance.

– Last year you created a play with D. Krymov practically without a text, this time there is one. Maybe you can share what impression you had after reading “Requiem”?

– It is very fragmentary, consisting of separate parts arranged in a dramatic manner. A fragment of Shakespeare’s “Hamlet” is inserted in the middle of the play – the parting scene between Hamlet and Ophelia. Also one story line from H. Murakami’s novel, it’s about a teacher and an interrogator who meet because of an incident during the war.

But probably the most important thing here is the theme itself, or the feeling of the theme. Until the performance is done, it is difficult to fully name it, but we can already talk about a certain line of thinking, a feeling.

– While presenting the upcoming play, the director said that “Requiem” is for children, born and unborn. How do you interpret this description?

– I think it reflects the general atmosphere of our time – the question, what’s next? Due to some political insights, people who have believed in various false ideologies seem to no longer think about the future. The negative energy inside us, our traumas, failures – all this accumulates and finally materializes in various excesses, finds a way to sneak out and manifest itself in the most crooked expressions of modern life. Children are the future, so what kind of world are we leaving for them?

As for my character, I am a military man, I operate at the language level of documents and data collection, while the teacher (actor S. Pinaitytė) talks about feelings, about duty, guilt, about ephemeral things. Our particular conflict in the scene comes from the fact that I have to write something in a report about an obscure event, but she tells about her fate, her relationship with her children. And after all, the concrete, pragmatic approach to problems and their solutions, which we value so much, does not take into account the spiritual world at all. Therein lies the conflict.

In the finale, after many years, my character returns to the same classroom, the teacher planted a certain doubt in him about the value of the material world.

As for Shakespeare – with him everything starts from some mystical moment – a comet fell and everything started, or there was a duel between Hamlet’s father and Fortinbras, Hamlet’s father won and according to the codes of human laws everything is legal. But after all, God said “do not kill” and this is a completely different category, so fate takes revenge on Hamlet’s entire family. It ends up like Sodom and Gomorrah, the empty place is filled by others and we learn nothing from it.

There are no great atrocities in this performance, the only value is the future. She is our children and the world we leave for them. What do we leave behind? A list of laws that have nothing to do with spiritual things, that are dry and deal with small, local problems of the present