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Climate change and femicide
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Image: VOLKER WEIHBOLD
She resorted to needle and thread again during the lockdowns: “When you embroider, you can see what’s finished every day. That is nice. Playing is much more abstract.” Theresa Palfi has experience in another special art – belly dancing. “That was when I was a teenager. Where did you get that from?!”
After her training at the Mozarteum Salzburg and an engagement at the Mainfranken Theater Würzburg, the Linz State Theater has been the Potsdam native’s professional home since 2016: “I feel very at home here,” she says and appreciates “the solidarity among colleagues, the shared critical exchange, dealing with each other in a trusting manner. It’s very special how the ensemble has grown together here.”
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Sometimes it is supposed detours that lead to the goal. If Theresa Palfi wasn’t a hand-embroidery journeyman, she might not have become an actress. “During my three years of training, I realized that I really wanted to do something different. Embroidery is creative, but very static. I had such a longing to express myself, that’s why I went to the theater youth club in Regensburg,” recalls the 37-year-old, who breathed stage air from an early age: “My mother is a make-up artist. I grew up in the theater.”
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Image: Petra Moser
This time the performance is on the smaller studio stage, which is a new experience for her: “The audience is almost sitting on your lap. Monologues to the audience alternate with scenes from the game, which was fun.”
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