In the background on the right is a dark limousine and in front is a van and a vehicle with dark windows. These cars with transparent windows were also used in the deportations that actually took place, and between these two vehicles a conversation takes place between characters who could rather be considered military. Probably the deporters. The homeland’s explanation is that those from the valley bottom prefer to sing, because they cannot pass under the singing arch and the artificial arch does not even know what this singing arch is.
The men who arrived in two strange vehicles look like soldiers. What are they discussing there? Photo: detail of Isamaa’s Christmas card
Those who watch from the edge of the valley are not afraid at all. Three brothers and three women are watching what is about to happen: suddenly it is the appellants who watch as the huge mansion is sucked away by its owners. I wonder if they were given hope to be part of this new and soon empty life?
There are four kidnappers with three women they want to take? Photo: detail of Isamaa’s Christmas card
To the right of the cars parked in the courtyard there are seven other characters: four men and three women. The men in cotton jackets are probably trying to convince women to voluntarily get into the car.
Apparently no one gave the order to record the March deportation on the artificial image generator. However, this is where the risks and dangers associated with the use of artificial horns are revealed, which can give rise to peculiar cultural transitions even if seemingly innocent images.
Of course, it is always easy to say: this interpretation of deportation reflects the thinker’s own attitudes. In this case it is rather the fact that many recipients of this card are rather unpleasantly surprised and confused by his pictorial language. Having once seen the deportation in this photo, it is difficult to see people who started singing in the cold winter while on the valley floor.
Erik Prozes, head of Postimehe’s photo editorial department, to whom I asked the so-called “first second” impression, due to the photo, replied:
“First second impression: the deportation. From there, another quick impression: “Estonian Soviet” candy boxes from the 1950s. From there on – delving into the signs and the combination between them – things get very confusing, not to mention useless.”
Here is how the Christmas card explains the reasons for its creation, and here is how the Christmas card is signed:
Explanatory text, why and how such a Christmas card was born. Photo: Detail of Isamaa’s Christmas card The person who signed the card probably didn’t realize until now that the story told with the image can have a completely different subtext. Photo: detail of Isamaa’s Christmas card
2024-01-21 11:27:07
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